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Flavor Painting Art Practice And Research Ideas

Posted on:2012-02-20Degree:MasterType:Thesis
Country:ChinaCandidate:H HaoFull Text:PDF
GTID:2245330392960181Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Large freehand painting in the painting history of China, is not only a pen andink techniques, a significant sign painting style. In thousands of years of traditionalcultural heritage and preparation, the aesthetic standards, the arts and the pursuit ofaesthetics of Large freehand has been a representative of The concept of the Chinesenation and the spirit of artistic temperament.The core of artistic language "ink" hasalso an independent aesthetic value.Li Kuchan’s great works of freehand Bird grasp of the traditional " Spirit ofLarge freehand " profoundly, inherit abstract beauty of traditional pen and ink, haverich cultural connotations and philosophical meaning, open an Uninhibited style ofmodern large freehand painting. Rate with the nature of his painting, there are degreesof sway among the retractable, pen and ink hearty, works totally natural. Leeadvocated that the painting should reflect the painter’s thoughts and ideas, thepainter should pursuit the highest level of "unrestrained and natural". Li Kuchan’sgreat freehand painting has the "meaning" as the center. He proposed that "firstpersonality, then painting style","picture to book for the very the" time,"painting areason " and other arts advocates. This paper is based on modern aesthetic point, towork theory as an object, to combine with the artist’s life experiences,to focus on LiKuchan’s great works of freehand Bird art practice and thinking systems, in order toexploit the value in a large freehand bird art aesthetic theory which has"super-Vertical bold"," magnificent "," male pen width "features.Li Kuchan’s art practice in great works of freehand Bird and the ideological andtheoretical content have been deeply influenced by the traditional Chinese culture andphilosophy of edification. In addition, there are the new flavor of the times, a highartistic insight in his art practice in great works of freehand Bird and the ideologicaland theoretical content, which has a very important value to carry forward thedistinctive qualities of the "great impressionistic " Artistic tradition.
Keywords/Search Tags:Li Kuchan, Large freehand, Art practice, The ideological andtheoreticalOf painting
PDF Full Text Request
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