Modern Tragedy Consciousness And 20 S Vernacular Novel

At the end of the19th century and the beginning of20th century, under the help and assistance of Lu xun, the earliest native creation group was born in Chinese modern literary, including XuQinWen, PanXun, JianXianAi, XuJie, TaiJingNong, WangLuYan, PengGuHuang, LiJinMing etc.These young swepts who left their hometowns and lived in cities consciously not only undertaked the mission of thoughts enlightenment, truly described miserable life scenes in the patriarchal rural social under the semi-colonial and semi-feudal state, attacked the cruel feudal ideological system and ethics which persecuted farmers, but also criticized the farmers’folly thoughts and cowardice characters, writing the devoid of individual value with the grief and indignation mood,all of which created the earliest literary creation boom. According to this view, the tragedy sense is an important aspect in the1920s native novels’creation, which reflected the writers’tragedy consciousness and was being the basic tone of1920s native novels throughout its development all the time. From the perspective of tragedy consciousness, this article is focused on a kind of subjective mental activity beyond understanding of daily life, a new aesthetic concept different from traditional aesthetic ideas, a new way of creation and thinking performing era real and meaning of life in the novels with a realistic creation spirit for the principle and focused on integration of the native novels in1920s.By the analysis and interpretation to the cultural contexts, contents, narrative styles and aesthetic values of the native novels in1920s through the modern tragedy consciousness perspective, this article shows real life pictures in the low-level patriarchal rural society, revealing and criticizing the evil feudal ideas, the cruel sickly ethics, the guarded class systems and farmers’folly spirit thoughts; it has the deeper meanings including the authors’ consciously tragic consciousness, the conversion of tragic creation perspective causing authors’aesthetic mood changing, the formation of narrative style for beauty, surmounting "happy" creative mode in traditional literature. In the special historical period during a change of the times, the value of subversion, the future of confusion, theses young native writers in1920s produced the complex state of mind about rational criticism with the emotional attachment for the downfall of hometown and cowardly farmers which the native authors after two decades don’t have,which reflects its’ important values in the literary history.