True Than It Is More Important

As growth since90’s of last century and developed new generation of directorrepresentative, Lou Ye works with distinct individual characteristic and unified, themost true to the film as a carrier, to individual survival state for the content reflectsthe contemporary Chinese society symptom. Because of Lou Ye’s pursuit of thegreatest degree reduction of reality, which makes his works shows a rough, dull,unstable and even dirty overall style. This work did not bring the aesthetic experienceof audience pleasant, but by revealing the realistic significance and provide peoplewith a "true". This "true" embodies the excellence of a broader sense of art, but is notlimited to the "aesthetic beauty".Lou Ye’s work is a kind of mature author film, the film language can form aconsciousness of creation, and skilled use of it to pay attention to and explore thespiritual world, and their closely related to Philosophy of life. This paper from theMovie Ontology perspective, analysis of Lou Ye’s film movie language: reading andanalysis from the aspects of film audio-visual relationship, spatio-temporal relations,performance, strategy of movie noumenon viewpoint, summed up the characteristicsof Lou Ye’s film language works and innovations from; and longitudinal comparisonwith the French New Wave cinema, Italy new realism later films and new Hollywoodfilm, formation causes and the inheritance of his works feature from; and then throughthe overall style and the fifth generation of director and the director of the newgeneration of horizontal comparison, in contemporary art criticism as dimension,digging Lou Ye movie "really" in the Chinese movie’s meaning. This study haspractical significance both in both practical and theoretical fields.