| The “Dunhuang Music Score” is the musical score that attached to “The HolyScripture in Changxing Hall in Changxin Fourth Year” which was found in the MogaoGrottoes in Dunhuang Library Cave in the beginning of the twentieth century. Thefirst twenty spectrum word is numbered P.3539; No. P.3719is the only ten spectraword of "Huan Xisha" residual spectrum. The spectrum that numbered the P.3808ismore complete preservation of the twenty-five song of pipa, this is also the maintarget of this article.Through the study of various elements in the “Dunhuang Music Score” P.3808which interpreted by Dong Ye, Yingshi Chen, combined with other scholars researchresults and interpretation of this ancient music scores, the division of sentences andphrases in the song, melody, rhythm beat, efforts to speed, adjusting tonal musicallanguage characteristics to explore the use of the "double stack Syntax” by Ye Dong,“melody coincidence method” by Yingshi Chen, Shahan Kun’s "between theparenthesis of elimination" and Liji Ti’s "music structure analysis Introduction to thebook of Chinese traditional music analysis methods”, enlighten the author to studydetailed analysis of twenty-five music of the “Dunhuang Music Score.”The specific study includes the following two aspects:(A) Ye Dong, Yingshi Chen "Dunhuang Music Score" P.3808two translationspectrum version of the musical structure:Musical structure framework“Musical form is only one aspect of the musical structure, it is the product of themusical structure stereotypes and patterns,” traditional Chinese music is different thanthe path of development of Western music, it was unable to obtain the same period ofWestern commonality writing unified, standardized song type classification, which iscaused due to various reasons; however, this freedom of a variety of music was justthe right reveals the implication of the Chinese-Form Loose, there is no fixed patternstructure does not mean no musical structure of traditional music in some degree ofstructural model can be summarized in the form of musical structure, and somestructural framework casual encounter this situation, I think we should pay moreattention to the micro aspects of language such as music and music performancepractices aspects rather than deliberately request the results of its format. Therefore,it’s necessary to emphasize again that description of the second chapter, third chapterof Ye Dong, Yingshi Chen’s two translation spectral version of the musical structureto the traditional Western musical structure morphology performance, and its essencecan only say that is quite similar to the Western tradition musical structure.(B)"Dunhuang Music Score" P.3808music language: The comparative analysis of two translation spectrum version of the musicallanguage, genre, style characteristicsFrom the internal structure of Ye Dong, Yingshi Chen’s two translation spectrumversion of the25songs start to analyze, initially by adjusting tonality, rhythm beat,efforts to speed, melody, structure, and various parts of the wording of potentialmelody harmony, polyphony transfer factors and other aspects of exploration, the“Dunhuang Music Score” P.3808two sheet music version of the similarities anddifferences of musical features, summed up the theme of generation, materialdevelopment practices, as well as the presents of happiness development, pack, andprimers morphological characteristics of the subsidiary structure of the organizationof the musical material of the connection, the end.1. Tuning, key and its realizable forceAccording to the author’s statistics analysis, in addition to10thsong of the"Dunhuang Music Score " P.3808"slow song pentatonic,” the rest are six sound andseven-tone style, which again Gagaku seven-tone music majority.Due to geographical and historical reasons, many ethnic, cultural diversity, ancientDunhuang Mogao Grottoes in Dunhuang after the millennium change of dynasties,copying in the Five Dynasties period before933AD Dunhuang Score especiallyP.3808pipa spectrum, in terms of culture or art the history with high academic value.“Dunhuang Music Score” is not only reflects the diversification of the Tang Dynastymusic, but also combines musical elements of the multi-ethnic Han, Xianbei, Tibetan,Uighur, Qiang, Mongolia, I believe that adjusting tonality as the tone of the languageof music is key entry point to explore these ancient classical the Western Regionsstyle of music history and relationship.2. Beat of rhythm and its expressiveBeat rhythm changes in diversity, will undoubtedly enrich the expressive power ofthe music."Dunhuang sheet music P.3808very characteristic beat choice Judgingfrom the leaf ridge translation spectrum version, in addition to the2/4,3/4, but alsogreater use of24/4and5/5and frequently used in the music transform the beat; beattransform is varied from Chen seasonal view the translation spectrum version,2/4,3/4,4/4,5/4,6/4beat has involved. We will focus on the comparison of the two versionsin Chapter3, Section, changes in the beat position of law and expressive.3. The melody characteristics and expressiveBase on the analysis of the P.3808of the "Dunhuang Music Score" andobservation interval progressive and jumped into the regulation of the melody of theups and downs of travel, combined with the rhythm, beat transform elements therebyaffecting the formation of musical styles, I quantify the ability of the interval structurebegin to explore the law of development of which the characteristic interval,combined with the rhythm characteristics of the law of development of the melodyform. 4. The internal structure of its part of the wordingOn the "P.3808translation of the “Dunhuang Music Score” spectral version ofpreliminary observations, we have been able to clearly see it on the general structureand grouping features, regardless of which version of the translation spectrum, areinextricably similarities and differences Throughout tune a stringed instrument andother reasons the song is divided into three groups, each group music musicalstructure, mode, etc. Though not the same, but the tone and music on terminationStrum has maintained the basic consistency throughout "Dunhuang Music Score",25short song structure refinement, the author leaves Building dual stack based on theirsyntactic translation spectrum analysis and found that rich and varied musicalstructure, a structure having four, two-stage structure of the song is15, three sectionsof track structure has four, according to above statistics, we can see "Dunhuangmusic" P.3808song structure dominated by two. The leaves Dong, Chen respondedtwo kinds of translated versions to compare spectra and found that only a five-tonestyle, six-tone style with6, others are seven-tone style of music, the sound of music inseven Gagaku has accounted for a large most of the figures listed above, we canroughly understand "Dunhuang music" macro structure and a simple musical structureand distribution of music, in the text, we will carefully analyze the score25songsinternal structure subject of concern generation techniques and music reading everyword division, including the intermediate portion of the playback unit and subsidiarystructure, wording and structure of the function.In summary, this article will analysis and summarize"Dunhuang Music Score"P.3808the25th songs from the musical language and other aspects of material. Theunique artistic value of ancient music of Dunhuang and the significance of traditionalmusic makes it very useful to study it and carrying forward, I am hoping this articlecould arouse the concern of scholars and provide ideas for other scholars to modernmusic creators in practice to provide a reference learn!... |
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