Three Figure Painting To Explore The Sea

Ren Xiong, Ren Xun, Ren Yi plays a decisive role in the history of Chinese painting, thefigure painting revival Chinese figure painting in the late Qing Dynasty, to the "modern" laid thebasic shape, and make a positive contribution and had a profound impact. It should be said thatany art with its corresponding social, political, economic, cultural, elements are closely related inthe humanities and the natural, accidental and inevitable, controllable and uncontrollable factorssuch as accumulation made. Under Ren Xiong, Ren Xun, Ren Yi that changes in the late QingDynasty, turbulent times background, figure painting the courage to accept new things can bepains in the new era to create a new artistically, timely development of the times, constantlybreak the shackles and artistic development of self-discipline achievements of the late Qingportraits of the brilliant and diversified characteristics.This paper is divided into four parts:The first part is an introduction, which is the starting point of this article, concise narrativeoverview of the sea under three portraits development.The second part is divided into two parts first is a brief sea any of his teachers, by referenceto the large number of documents, specific paintings comparison to any combing the sea for histeachers; followed by sea under three portraits era Features background of the times, includingpolitical and economic factors, immigration factors, the East-West cultural exchanges, folkpainting, and pave the way for the sea three portraits explore the characteristics of the times.The third part is the comparison of methods through the use of a number of works, theanalysis of single works, and ferret out the method of the reference literature to further interpretthe distinctive character of the sea under three portraits. This part of the innovation of this paper,is the focus of this dissertation and difficult. This chapter is presented to the sea three figurepainting any of the characteristics of the times people, and lay a good foundation for the toexpand new Chinese figure painting "space" after the creation of the road. Section I, the seaunder three paintings of "social regression". Longitudinal evolution of the inner vitality oftraditional Chinese painting, painting with West Learning outside the influence of the lateralpropulsion, a unique fusion of force in the development of Modern Chinese Art, the performance of the head of this unique fusion of force in the sea under three figures. The third quarter,maritime any figure painting "consumer mindset". The sea three former artistic activities with thecommercial activities closely linked. Section IV, maritime allow "passive sponsor" to "take theinitiative to cater to the concept of creative change. The sea third term with the mentality of thetraditional literati painters diametrically different, the biggest difference is the painter of theartistic initiative (paintings) as a direct exchange of tools and settle down with social way. ACchange in the way of the paintings in the late Qing Dynasty, and the sea under three portraitsopened with the traditional figure painting the object form of "distance.The last is a combination of modern and contemporary Chinese figure painting, to explorethe sea under three portraits successful development value and maritime any portraitscharacteristics of the times looking for a new entry point for contemporary Chinese figurepainting diversified development, expand the new waterway.