Post-modern Art Exhibition Space And Power Game

As the special forms of space, exhibition space has play an important role.Can bedescribed as an ambiguous relationship between art and the exhibition space, space inartworks to show the place, and the works of art but also reinforces the aesthetic of thespace art exhibition, especially for commercial space, living space, virtual space,artwork interventionspace makes it a "double show", has also become a place ofpower operation. The relationship of the art exhibition space showing different powerrelations in different artistic context. Especially since the post-modern art, put ahigher demand for exhibition space,and open up a wide range of exhibition space.As the important concept in philosophy, space shell has been highly concernedby theoreticians. Along with the development of research, the centre of research hasshifted from the explain of physics to the reading of ideology. Michel Foucault, thefamous contemporary philosopher of French, has analyzed the relationship betweenspace and power, body, knowledge from the view of sociology. discipline of space.Pierre Bourdieu, the famous contemporary sociologist of French, has interpreted thefield what is different from discipline of space.The field rules its region,meanwhile itgives a militancy which is related to power and capital.With the help of Foucault’sand Pierre Bourdieu’s space theory，the thesis attempts to make a depth analysis onthe relationship between Western post-modern and exhibition space.In the writing process, I use etheoretical analysis and case study method. Thispaper is divided into four parts. The paper introduction mainly introduces the "exhibition space " at home and abroad in recent years, and this paper’s writingpurpose,writing methods, theoretical perspective and innovations. In the firstchapter，I describe the development with the space theory and the view of power, andthen explain the relationship between space and power, exhibition space and power.In the second chapter，I introduce the development of power’s relationship betweenartwork and exhibition space. I analyze the characteristics of traditional art andmodern art in the exhibition space and the evolution of the power relations in this part.I focuse on the third chapter in this paper. I analyze the deconstruction strategy of Western post-modern art to traditional art against in the exhibition space and ponderthe power relations of post-modern art and the exhibition space.In the last,"54thInternational Art Exhibition la Biennale di Venezia"as an example in order toreconsidered the game of power between post-modern art and the exhibition space.