The Parody Movie Research In The Postmodern Context

This paper mainly emphasizes the parody artistic rhetoric, in the postmodern context, used in certain movies. The artistic expression, dramatic effects, the audience’s psychological acknowledge, and the texts’attraction are considered here. This paper discusses that the parody artistic rhetoric in films reflects and constructs the certain postmodern theory, at the same time, its cultural merits and potential danger in postmodern context. Firstly, the paper presents the whole new film study category "parody movie". Secondly, we studies the audience’s psychological acknowledge mechanism of parody movie with the unique structure and artistic formation, and explore the parody movie’s internal text attraction which dominant by the intertextuality. The parody movie, constructing its unique fragment images, not only deconstructs the standards and narrative patterns in the traditional Hollywood movies, but also deconstructs the Logos thoroughly, which can be considered as the certain artistic form which constitute the explanation, conversation and extend to the Deconstructionism. Finally, this paper explains the implosion effect in parody movie and point out our whole cultural atmosphere in this effect. At the meantime, the parody movie is the representation of mass or low culture that reflected the ordinary peoples’cultural ideological appeals and lowers our wholeness cultural taste. We point outs "highlights cultural " which is the product of the cultural degeneration and Utilitarian, and predict the potential dangers of the parody movie and its postmodern cultural symptom.