The Analysis And Comparison Of Versions Of Two Arias Of Carubino In The Mozart’s Opera Of Le Nozze Di Figaro

Mozart in his life of created22operas, including " the marriage of Figaro " the classic and most widely circulated. This article take the opera " the marriage of Figaro " in the content and writing style for writing, with the plot and the character psychology, analyzes Kay Rubino’s character and the " I do not know what " and " you know " the two Arias were singing analysis, and comparison of different live version the role of Kay Rubino in the image features and the vocal singing guidance.The text is divided into four parts:the introduction part of the opera research significance, current situation and methods; the second part introduces the opera " the marriage of Figaro " the content and style of artistic creation, the third chapter of " the marriage of Figaro " the main character in the Kailubi Connaught characters and Kailubi Connaught Aria performance analysis, finally has analyzed the different concert version for Kailubi Nuo this role portraying the differences and their singer enlightenment.The marriage of Figaro " in opera history occupies an important position, which Kay Rubino’s aria in singing skills and processing has certain difficulty. On the character analysis and aria sing inquiry and concert version of comparison, is conducive to a better understanding of work to accommodate the skill, emotion and meaning, by singer version comparison to accurately grasp the Kay Rubino aria singing style and features, to a better interpretation of music works with realistic significance.