A Comedic Study Of The Marriage Of Figaro By Mozart

The comedy opera The Marriage of Figaro is one of the masterpieces of Wolfgang Amadeus Mozart(1756-1791,Austria),an important reason for the success of this opera is that its dramatic conflict and resolution has a certain uniqueness,contradictions and conflicts are relatively rich,the comedy scenes in the opera are carried out in the continuous contradiction conflict and resolution,the main line of the protagonists of the large conflicts and the supporting characters of the branch line small conflicts are often synchronized,interlocking,musical cooperation and performance play a vital role in the development of the plot,the combination of drama and music enhances the audience’s sense of expectation,enhance the comedic effect.Combined with the theory of comedy aesthetics,this paper summarizes the four major presentation methods of comedy from the classic comedy scenes of the play,namely funny,witty,humor and satire,and uses methods such as "Graph-Text,Drama-Music Expressions" and Analysis of Musicology,Hermeneutic Analysis to analyze and intuitively present the four comedic performances in the play.At the same time,through the comparison with similar comedic scenes in two other western comedy operas(namely Rossini’s The Barber of Seville and Verdi’s Falstaff),the comedic characteristics of Mozart’s opera The Marriage of Figaro are further understood.On this basis,this article conducts Cultural interpretation of the play.The full text is divided into six parts: The introduction section discusses the starting point and purpose of this paper,the research on this opera and comedy at home and abroad,comedy,comedy and opera comedy,the feasibility and research methods of this paper,and the expected results and values;The first chapter is Funny: A Drama-music analysis of the " Stacked Arhats " scene in The Marriage of Figaro,and a comparative analysis of the antics of the Count pretending to be a drunken military doctor in Il Barbiere di Siviglia;The second chapter is Witty: A Drama-music analysis of the "Stealing the Day" scene in The Marriage of Figaro,and a comparative analysis of the witty performance of "the Laundry Basket" scene in Falstaff;The third chapter is Humor:a Drama-music analysis of the "Bottom of the Barrel" scene in The Marriage of Figaro,and a comparative analysis of the humorous performance of the Count successful bribery of Basilio’s scene in Il Barbiere di Siviglia;The fourth chapter is Satire: a Drama-music analysis of the scene of " A mantis catches a cicada,a yellowbird behinds " of The Marriage of Figaro,and a comparative analysis of the satire of the Count revealing his identity and reuniting scene in Il Barbiere di Siviglia;The fifth chapter is the comedic socio-cultural interpretation of The Marriage of Figaro,exploring the basis of the comedic construction of this opera,its deep meaning,and the value analysis of its comedic performance.