TV Program Form And Narrative Strategy

The traditional TV which is only acted as the "spreading machine" betweenpublic service and government is gradually fading out on the TV screen along with the development of Stoical、 biochemical and publical TV shows. It is repalaced by a series of popular culture livelihood programs and news. Under such situation, the TV column play has a prosperous development. Such program style has grown out for seven years and actually will go on when the rise of "talk" Wudou from Chongqing TV in2006.Although the program is booming in practice, the research of theory is desolate or even a blank, there is no reserch of theoretical monograph about program play and academic paper is also relatively little. Even there are so many opinions about its definition anobody can say which is right, for such particular program, I have the following three conclusions: first for narrative on the one hand, it has a wide population cause of its civilian narrative style, on the other hand, it may easily Falls into the mistaken writing kitsch for the "excessive civilian". Second, in The two degrees of creation, it may has a ambiguous attitude by the gradually chaging of narrative ways of director. The third, the "morph" between "drama" and "micro film" from time to time makes it harder to be definited.So many arguments need to be solved, so sum up the characteristics in it’s production and broadcast will undoubtedly push forward it into practice. This thesis attempts to study systematically the definition and form of the script, narrative style, narrative technique, column drama popular participation, combing with my own experience on column drama production to have a comprehensive, systematic, real analysis about internal operation structure, work flow and other aspects.The followings are the mainly points:First, focus on its definition and form, analysis the distinguishes among column opera. drama. news、film and others.We should clear that column opera is actually grafted by news and film, it should have its own typical characters including broadcast time. narrative style、actor、director style and so on.Second, focus on the column text, combing with my creative experiences to analysis its creative process、 characters and style, mainly to say the certain logic and skills we should follow on its creation. Also,I will tell how to choose the story、 set up the suspense、 rhythm and contradiction. It is necessary to analysis the multiple narrative patterns. misunderstandings and hidden worries in its production so that we can standard the its creation from the text itself.Third, focus on the narrative of director, mainly about to tell how important the director is in the TV drama、 how to carry out the two creation and filed director. At the same time, there are some rules in the creation process, both advantages and disadvantages in the TV drama director integration that the director should pay attention to.At last, be vigilant in peace time, further emphasizing the column drama production should be rational creation, hope that those creators should adhere to such narrative attitude which is relate to livelihood、be true.be mass and be not blindly. Also, they should insist on principles and the bottom line in the media itself.The paper use a lot of first hand data and also take participate in it. I won’t expect that it would all arguments but I do hope that it would support a new new perspective for the continued development of column opera.