Study Of Wei Jin Dynasty To Tang Dynasty Landscape Painting

The development of everything in the world has its regularity, the development ofthe Chinese landscape painting also has its own intrinsic laws, this paper is mainly tothe period of Wei and Jin Dynasties to Tang Dynasty of ancient Chinese landscapepainting development as the main research direction. In the long time of Pre-Qin to theWei and Jin Dynasties in ancient China feudal society, Taoism and Buddhism figurepainting has dominated the Chinese painting, and made a very brilliant achievements.During this period, landscape painting has not been found, there is the image of thelandscape even in some paintings that are in the auxiliary effect of background. The WeiJin Southern and Northern Dynasties is a perpetual war, involving four period of chaos,the central and local fight, within the ruling class contradictions in the regime changefrequently, in the years of war, the great turmoil in society, the traditional feudal Liegeethics and social ethics badly trampled. They handed down since the summer of theoutlook on life and culture began to collapse, with summer one thousand hundred yearsin the Qin and Han Dynasties, the feudal society of our country by all classes of authorsin the theory, and to "person" this problem is not in order to facilitate bettermanagement of the feudal rulers rule, namely educating people of ethics to merge in theclass social, Yu Xu Jing to dissolve in nature, the fate of the main settle on the externalsocial environment. The people broke through the traditional authority thought by theshackles of the first began to pay attention to the individual "person" this one problem,namely, they begin to pay attention to the individual consciousness, individualperception, individual value, individual will. On one hand, because of the chaotic socialsituation, Confucian advocated "to the economy and the world" this road has not at thistime, even if the literati still want to maintain the traditional ethics behavior, then theywill pay the blood price, even at the expense of life. On the other hand, those who relyon "the poor are spared this sentence" self comfort as spiritual support of the literaticondition of society in which is lead a fast, rely on the pursuit of the spirit of self, thedestination of the soul."Metaphysics" and "talk" become the mainstream ideology ofthe Wei and Jin dynasties. The literati often focussed on the mountains and rivers,"becontented and happy","as the rivers and lakes","make a sightseeing tour","hermit" has become a common practice of literati, the landscape has become the medium of the Weihope and belief, and to escape the war and worldly troubles of the pure land. Therefore,the Wei and Jin Dynasties literati began to pay attention to the landscape, and thenbegan to landscape paintings, so that Chinese landscape painting was born. The end ofthe Wei and Jin Dynasties and the northern and Southern Dynasties war situation, theformation of a unified regime. Sui although time is not long, but has become animportant transition period of the Tang Dynasty landscape painting in landscapepainting. Chinese landscape painting development to the Tang Dynasty ushered in thefirst period of prosperity of it, whether in the brushwork and ink method have madecreative achievements. At the same time, Wei and Jin Dynasties to Tang is a Chineselandscape pastoral poems originated and peak period, in this era created a lot of verybeautiful poem and spread so far. In this period the landscape and pastoral poetry andlandscape painting is more poetic imagination, landscape and pastoral poetry because oflandscape painting and lets the human dream in which.