| Chinese ceramic decorative art is one of the most important categories of traditional Chinese culture. The development history of Chinese ceramic decorative art reflects the development process of Chinese culture. Present culture exists based on the adsorption and evolution from ancient culture, and present ceramic decorative art also develops from the basis of ancient ceramic decorative art. The source of power for the development of culture and ceramic decorative art is just the never stopped experience and practice of their deconstruction and construction.The purpose of this paper is to investigate Chinese ceramic decorative art using the theoretical perspective of intersexuality through the classical examples of the stories, ornamentations, fictions and engraving of the ceramics of Ming Dynasty. By carding the intersexualitial relationships between the characters in the stories, ornamentations, fictions, engraving and dramas, the establishment of the intersexualitial relationships between the characters in the stories of the Ming Dynasty ceramics and the illustrations of the fictions, engraving is found out. In addition, the origin of the illustrations, the forming, the construction and the symbolization of the culture are investigated in detail. This paper mainly described and studied the relationships of the theoretical perspective of intersexuality based on these Ming Dynasty ceramics. And it was found out that the deconstruction and construction of Chinese ceramic decorative art made by ceramic craftsmen had a significant influence on the development of Chinese ceramic decorative art. |
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