Comparative Studies The Seventeenth Century Of Blue-and-white And Colorful Decorations

Between Ming dynasty and early Qing China is at period of the17th century, inwhich nearly one hundred years, because of the regime change, dramatic changes havetaken place in Chinese society. As the national center of jingdezhen porcelain making, itsChina manufacturing industry is undergoing a major shift. Proliferation of folk kilns,gradually improve product quantity and quality, outstanding performance in the form offree, have the courage to explore, dare to innovate."In the17th century China" on thedecoration pattern, abandoned the kiln rigorous rigid, neatly bound branch flowers suchas solemn theme of grade, Use of new content, such as landscapes, flowers and birds,figures story the composition is clear and beautiful, having a unique style. Subject on therich, the technique greatly expand, draw the wind fresh simplicity, contains the rich lifeemotional appeal and refined taste of literati paintings. Between Ming dynasty and earlyQing is a national large integration the thought collision period; The old values beingdissolved, new values have been established. The increasing foreign trade makes thecountry have contact and communication with the outside world. The progress of scienceand technology has development on glaze coloured drawing or pattern, glaze on thesuccess of blue fire, instead of under glaze blue and white as local adornment is tonal,through the decorative critical period of transition or transformation, analysis the contactunder the glaze and glaze painting coloured drawing or pattern.