Shanghai Narration In Zhe Retolutionary Context

Appeared in Chinese literature of the20th century, describing China’s old democratic revolution and socialist revolution narrative works, but Shanghai is a city of constantly being written, and is accompanied by China’s national image process.’Midnight" and "Shanghai morning" belongs to this kind of work. In the30s of the20th century, national malaise, people’s hardship, industrial shrink. In the1950s the Chinese people under the leadership of the communist party of China has established the new China, in order to production and construction, started the "three-mirror""five ant is" movements. In this two period as the background appeared two important works,"midnight" and Zhou Erfu "Shanghai morning". This two works the protagonist’s offices are in Shanghai, the choice of industry textile industry, the name of the novel have some symbolic meaning, emotion expression, there is a real passionTime to write more than20years apart of the two works, But the contents of the group in Shanghai, have great similarities, scenario application, etc. Words are accompanied by national thinking mode, Writing the country into the city and urban people and things in the story, In the imagination of Shanghai, Shanghai are symbolic and conceptualization. This paper uses structuralism criticism, social history and so on literary criticism methods were compared between the two. From all parties in the face of text analysis, this paper discusses the similarity and dependency between them, the inheritance and development of the cultural significance and aesthetic connotation.The full text is divided into six chapters, with the introduction and the epilogue. Each part is as follows:Introduction part puts forward the research purpose and significance of this paper, the research present situation and this paper use the research method and combing both valuable research results in recent years.The first chapter mainly comb of the interpretation of the "revolution", expressed to us once accepted into the China revolution and affirmation of the historical form, and introduces the20centuries Chinese writers to imagine in Shanghai, show a unique narrative in Shanghai.The second chapter analyzes two writers activists in Shanghai, mainly points out that in the revolution ideology under the statute, the revolutionaries desire to evade, the bourgeoisie illicit desires of dehua decorate, also works set in the state of villains, staged scenes desire of criticism of the dance. Show the two works in the context of revolutionary history unique features of image spectrum.The third chapter points out that in the context of revolutionary history points to similar set of art. Theme clear, structure is similar, revolutionary history context of private and public scene and scene space special different characterization in the scene.The fourth chapter points out that the two differ by more than20years of work in the revolutionary history context and urban culture inherit and development. Including different writer’s imagination, the writer’s individual experience to work distance, time difference and the influence of different countries under the changing nature of the work or under revolution ideology of inheritance and development.Finally, points out that under revolution ideology of revolution in narrative works, certainly revolution, praised the revolution is the fundamental and the idea of dominance. The international metropolis Shanghai unique amorous feelings for the author original thinking mode. As with Shanghai as the background under the specific historical background description of works has its unique aesthetic and value. As the revolutionary narrative works have been sanctified, revolutionary narrative criticism gradually weakened."Midnight" and "Shanghai morning" for bearing and the evolution of this kind of work. The two works has a specific value in the specific historical period, is the modern history of literature is two of the most important node.