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Research On The Process Of Knowledge Services In University Library

Posted on:2013-12-31Degree:MasterType:Thesis
Country:ChinaCandidate:J WangFull Text:PDF
GTID:2255330401462444Subject:Music
Abstract/Summary:PDF Full Text Request
The Northern Dynasties (AD386-ad581years), the Northern Wei, Western Wei after, Eastern Wei, Northern Qi Dynasty, the Zhou period five, is the history of China’s national migration, integration is very important for a period of time. The music culture of Central Plains as prairie nation, bring new active, free music atmosphere, the music of the period of cultural development of traditional culture of Central Plains also broke with music mainly form of music, western music in this period of national integration into the original, and preferred stock. The ruling class in the positive acceptance of Chinese culture at the same time insisted on retaining the characteristics of musical art style, new style appeared in the Central Plains to the Sui and Tang Dynasties, and laid a solid foundation for the prosperity of music.The instrument appearance, are the earliest musical instrument engraving through the caves in the visual display to the world, from India, Buddhism, in BC after introduced the mainland, with the Buddhism was introduced into China in the front and rear. From Dunhuang, Longmen, the Yungang Grottoes were found to date, to be later study, exploration. So far, the later generations to study various aspects of the already very mature, the various caves in art, musical instrument research works, this is very perfect, and the tombs unearthed musical instrument research but scanty. Therefore, this article from the tombs and a representative of Dunhuang, Longmen, North Yungang Grottoes cut proceed with, try to explore the on the development of musical instruments from a clear clue. Because of the tombs of various musicians, murals, reliefs and so many different degrees of damage, to preserve the integrity of the cases are very few remnants of flesh, also often because of special geographical conditions, leaving only the posture, musical instruments lost. Therefore, only from the tombs of the music instrument, unable to undertake combing, statistics. But the caves in the musical instrument engraving content is rich, full, fill the Northern Dynasties tombs instrument insufficient gap, but only the North grotto musical content forgive, not a paper Sheng, therefore, this paper chooses three caves as to make up for the tombs of the deficiency of musical instruments, combined with literature, works in mutual complement.This article through to the tombs of musical instruments and Dunhuang, Longmen North Yungang, the musical instrument combing, from an objective physical point of view, combined with literature, on the musical instrument types and combinations, music type, preliminary undertook the analysis of shallow. The Northern Dynasties tombs instrument and the grotto is reflected in the music content is different, but complementary, illustrates the music art form rich content, and the development of musical instruments of historical significance and importance, as well as in the Sui and Tang Dynasties artistic development influence are self-evident.
Keywords/Search Tags:North Korea, The burial, Cave, Musical Instruments, track
PDF Full Text Request
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