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Try To Talk About The Piano PiHuang Opera Music Elements And Their Play Version Comparison And Analysis

Posted on:2014-07-02Degree:MasterType:Thesis
Country:ChinaCandidate:J LiFull Text:PDF
GTID:2255330401462532Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Chinese composers Zhangzhao "PiHuang" with creation of the piano works, with elements of Peking Opera music and modern composition techniques combining professional creation concept, compose the song era works with strong ethnic characteristics. Works not only writing style unique, novel, and deep cultural background, content, depth, is a successful and rare Chinese piano works, have important research value.This article altogether is divided into four chapters content:The first chapter "introduction", outlined the research value of this topic, the research dynamic and research content, make the subject position has always been built on the basis of predecessors’ achievements are studied;Chapter2, by parsing the composer and the PiHuang pile with the creation of the background, to do matting for the next chapter further analysis research, and tries to reflect the PiHuang success exists inevitability;In the third chapter, mainly works on the PiHuang drama plate structure with characteristics, melody, rhythm and beat, harmonic mode, imitation of music sound analysis, to analysis the application of opera music elements;Chapter4, for piano "PiHuang" played three versions, namely Zhangzhao, li Yundi and Shen Wenyu performance comparison, trying to find the PiHuang play" constant "and" change "in a variety of performance factors.PiHuang on inheritance of traditional music is more than just form or on elements of simulation, but after the extraction of the language of Chinese traditional culture spirit, with its overall artistic concept of paved, so his work is a national, is the world.PiHuang in player (including the composer himself) appearing in their interpretation of constant "law of change ", is also the Chinese Confucianism thinking embodied in the works. Performers, or piano learners to grasp the PiHuang timbre transformation, stretching and dealing with music, rhythm, only connect to the thinking philosophy of traditional music, can more objective and scientific to express music, symphony in China.
Keywords/Search Tags:Paino PiHuang, Play version, Drama elements
PDF Full Text Request
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