On The Parody Styles Of Time-travel Drama

In recent years, the popularity of Time-Travel opera attracted academic attention, therefore, experts and scholars have written to study. This paper, starting from the perspective of "Parody" theory, in order to make a systematic study on the Time-Travel drama.This article first has carried on the analysis to the "Time-Travel" elements, reviewed on the development of Time-Travel drama, summarized the connotation of time-travel drama. The article think,"Time-Travel" is not a subject, but a means of. Time-travel drama just borrows this means and become a TV program types. It uses the Postmodern Parody elements, the Historical drama, Idol drama, Supense drama, Ethics drama and other types of TV drama were into a furnace, in the view of civilians, contrast between the past and the present, jiegufengjin, reflects the modern people’s living condition and spiritual course.The first chapter introduces "Parody" in ancient Greek, modern, post-modern three different periods of the theory of evolution, found "Parody" elements and modern other elements, such as "KUSO","copy","collage", always together, inseparable. Therefore, the features of the classic film parody, historical allusions subversion spoof, social life plane copy and various elements of integration together, as four types of time-travel parody. The second chapter analyzes the parody’s unique artistic value, mainly for entertainment value, cognitive value and critical value. The entertainment value lies in the difference through ancient and modern cultural context and funny exaggerated parody making funny, so that people in the daily life of the tension can be "dissolved", relax and free heart to laugh in. Cognitive value in aesthetic diversity, through the Time-travel drama we can better understanding of contemporary aesthetic culture, understanding of the contemporary youth aesthetic psychology and aesthetic interest. Critical value is critical in the prevalence of the vulgar social values and the social habits of irony, as well as to the historical truth of the question and so on. The third chapter analyzes some misunderstandings for time-travel drama caused by excessive parody, think that if the Time-travel drama only blindly to parody as a means, blindly follow the trend, adhere to the supremacy of the entertainment, pursuit of flat writing anti-essentialism, interested in representation of everyday life in the collage, deconstructed of history to scattered, fragmented playful parody, in the spirit of victory filter Q-type of serious thought, to the reality that, for the only light and happy, constitute the history and reality of the body is evacuated, life will be empty and lost value and significance.To the future development trend of the time-travel drama, the author believes that:currently, China’s time-travel drama is "see both its good and bad points". The Time-travel drama is banned or not has nothing to do with "Time-travel" itself, but related to parody content and parody way. Through the parody elements and other elements together, make the tradition and return to the traditional, copy of life and the pursuit of depth, get rid of the mainstream and closer to the mainstream and other common theme across the existence. How to avoid weaknesses, not from perceptual picture of daily life, but also to the more deep digging, still worthy of exploration.