The Ming Dynasty In China And Europe Renaissance Furniture Comparative Study Of Decoration

Chinese Ming Dynasty and the European Renaissance in the history of the timeline in thesame period, and this period furniture is also very representative of the meaning, representingthe development of Western furniture and furniture typical of the outstanding culturalachievements. Ming furniture is the representative of Chinese classical furniture, Renaissancefurniture is representative of Western classical furniture. By the author of Chinese MingDynasty and the European Renaissance furniture decor and Causes comparative study, tryingto find Chinese Ming Dynasty and the European Renaissance in different geographiclocations, different social environments, different historical backgrounds, different customshabits, different cultures formed under different furniture styles and furniture culture.Thesis mainly adopts a comparative study of the way in reading books and looking onthe basis of literature data, in order to design arts, aesthetics, history, science and otherdisciplines theory as a guide. Thesis is focused on Chinese Ming Dynasty and the EuropeanRenaissance style between furniture, from decorative patterns, decorative themes, decorativetechniques, decorative structures and decorative materials and other aspects of comparativestudies; Ming Dynasty in China and the European Renaissance furniture decor on the causes,political affiliation, economic background, cultural background, three aspects of the formationof furniture, decor had a tremendous impact. Political occlusion and economic "feudal-styleprosperity," created a Chinese Ming Dynasty furniture rustic and elegant, while the politicalopenness and economic "Capitalism bud-style prosperity," creating a European Renaissancefurniture "people-oriented "design philosophy;" emotional culture "and the Taoist, Buddhistthought creating a Chinese Ming Dynasty furniture design ideas close to nature, while the"rational culture "and religion are weakening influence of the European Renaissance furniturebegan with the pursuit of scientific of the mean; has "literary temperament," the aesthetic andthe "artifacts contained Road," the aesthetic ideal affect Chinese Ming Dynasty furnituregentleman on the road toward the pursuit, and the "pursuit of gorgeous" aesthetic conceptsand realization of "humanism," the aesthetic ideal is Let the European Renaissance furnitureto the pursuit of people-oriented, gorgeous first path. Furniture is a carrier of culture, is a symbol of the times. Furniture by social, economicand cultural influence of different regions, different religious manifestation of the furniturestyle characteristics of the important part. Chinese Ming Dynasty furniture and EuropeanRenaissance furniture is a model of Western furniture, furniture culture is an important part ofthe world. Through these elements, not only for the Chinese Ming Dynasty furniture andfurnishings of the European Renaissance-depth study, but also for modern furniture andfurnishings cultural development have an enormous role in promoting and facilitating.Through the Chinese Ming Dynasty furniture and the European Renaissance style analysisand comparison, is conducive to a better understanding of cultural connotations furniture,decor find two kinds of advantages and enlightens people to identify the direction ofdevelopment in line with China modern furniture to help people Explore China modernfurniture deco features and future development path that will carry forward the essence ofChinese traditional furniture.