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An Analysis Of Medieval Paintings And It’s Influence Of Modern And Contemporary Paintings

Posted on:2014-07-15Degree:MasterType:Thesis
Country:ChinaCandidate:C F YanFull Text:PDF
GTID:2255330425463291Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
When it comes to the middle ages, some people will emerge in their mind of towering clouds in gothic or firm Romanesque architecture, there will be more people talk about frequent wars, bubonic plague prevalence, deterioration.Unheard-of civilization throughout the middle ages, this is probably the most widespread consensus.Scholars and artists in Renaissance and17th and18th century also suggest that this is a "dark age".Indeed, For people who love classical civilization, The middle age like a dam to intercept the turbulent river of Greek and Roman civilization. When river burst its bank, it seems that civilization restore its legitimacy.Many people particularly like the Greek and Rome civilization,for the reason that contains the breath of freedom:Ideal perfect like live in heaven. Compared with this,the middle ages can be described as "inferno".What can we learn from this inferno? In summary there are the following:1, the medieval for individuals is relatively unfamiliar, medieval across one thousand years of history. For research of this art from the era that benefit to understand the derivation process of early western art.Art in this period is active. Conflict with integration and the integration injected new blood into traditional art.2, the equivalent of western medieval feudal period, although the Chinese and western have different definitions about feudal, however, this period of Chinese and western civilization a is relatively close to the distance. For a long period of time, both in the aspect of political system and ideology is quite similar. Although different art forms, the art of the kernel is the same:a spirit is bound inside collect directivity strong inner qualities. For part of the children of the east, they are engaged in the study and research of western painting, they praised the glittering of western literature and art, and cannot be indifferent to their own civilization. Perhaps zone along the border between Chinese and western civilization is the abode of their soul. For the love of the eastern civilization westerners, too. So there will be a lot of westerners fall in love over a period of time float world draw, like porcelain, silk. Also has a lot of Oriental love impressionism, fauvism. And the middle ages is only a window, let us see how Chinese and western civilization at that time why such adjacent to each other.3, in the middle between two culture stage, culture and art inheritance and pioneering is very worthy of study. Objectively speaking, the middle ages is more like a bridge connecting the two civilization, presents the scenery on both sides of the bridge is exciting, is regarded by people for a long time. And the scenery on the bridge is very different. Either mission hills on both sides and see which does not have the vast river on both sides.This thesis mainly is divided into three parts to interpret art of the middle ages, the first part, Jane xu east Roman empire and the barbarians of the historical background and state of art. The second part, focusing on the analysis of comparative medieval art inheritance of fusion and art style. The third part will be from the perspective of religion, expounds the characteristics of the medieval art and influence.
Keywords/Search Tags:Medieval painting, Byzantine painting Manuscripts art, Roman painting, Gothic painting, Art fusion
PDF Full Text Request
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