Study On The Native Lyric Novel In1980s

This paper studies the developments of native lyric novel in the1980s.From the angle of the native soil background in the1980s native soil lyric novel. It studies the reasons of the recovery of1980’s native lyric novel form the overall first. Then this paper studies the writer’s native memory, their constructions of ideal native soil, and their reality native worries. To presents the face of native lyric novel in the1980s. This paper is divided into four parts in addition to the introduction and conclusion.The first part studies the process of combination of the characteristics of the times in the1980s and the native lyric novel stylistic features. It explores the reasons of the recovery and development of native lyric novel from the macro, elaborates the trend of native lyric novel in the1980s, and proposes three describing contents of native lyric novel in the1980s. It describes native memory, building native ideals, and expressing reality worries.The second part studies the1980s native lyric novel’s descriptions of native soil memories. This part analyzed that why the writers of native lyric novel obsessed written memory of native soil in the early1980s.Then it pointed out that cross-age novel memory characteristics, teased out the works of native memories’ two back ground of the times-the "war" and "the Cultural Revolution", and were carried out analysis and research one by one, Although the backgrounds about war years and the Cultural Revolution are different. However, in the native soil lyric novel of Liu Shaotang, Wang Zengqi, Shi Tiesheng, the native of that period also is simple folk, with beautiful landscape, highlight human glory Local World.The third part studies the constructions of ideal native in1980s native lyric novel. Native lyric novel emphasizes on expression of the writer’s subjective emotional. The writer’s aesthetic ideal is an important source of their subjective emotions. Some writers began to express their aesthetic ideal novel to build the ideal local world with native lyric novel which written memory wide spreading occurrence. Native soil lyric novel writers such as Wang Zengqi, He Liwei, A Cheng, and Zhang Chengzhi and so on rely on specific local native to build the ideal local world. People there are simple folk, unrestrained freedom, to live in harmony with nature. Where nature seems to have a spiritual, and have the ideal quality in writers’ mind. They build an ideal native world in which people with their own, people with people, hum beings with nature are harmony.The fourth part studies description of reality in native lyric novel in1980s. Whether it is written in the native memory or building ideal for local writers are obvious emotional bias. They hold a remembrance or admiration or praise and other positive emotions in written native soil world. However, native lyric novel of1980s which are written on reality not have single positive bias. They show the complex emotions. Writers concerned about the statuesque that agricultural civilization and industrial civilization are on fierce collision in1980s Chinese native soil. Writers have expressed attitude about this collision between two civilizations. Chi Zijian, Li Hangyu, He Liwei and other writers expressed concern about the industrial civilization enter the rural as flood. Lin Jinlan, Tie Ning, and other writers have a positive attitude about the industrial civilization enter the traditional rural.