| Shao Yong was a famous philosopher in the Northern Song Dynasty, his philosophical thought is rich and profound;he also has the achievement in poetry, Shao Kangjie poetic genre and Jirang school of poetry were formed. Although Shao Yong didn’t have technical aesthetic work, and rarely have directly views on aesthetic, but we might as well explore the intrinsic aesthetic from his philosophical thought, to understand his aesthetic concepts from his high Personality and good using of the words. In this paper, I’ m hoping to make my efforts in building an advanced research to Shao’s Asstheties. There are four parts in this thesis.The first chapter introduces the situation of the Shao Yong era, and his life experience, thought and literature creation situation. Shao Yong never entered politics,has no political misfortune, and life is smooth, optimistic and gentle; his thought is ideological integration of Confucianism and Taoism、"Yi Wu Guan Wu" philosophic thinking have important influence on his life aesthetics and poetry aesthetics.The second chapter expounds Shao Yong’s life aesthetics. It is derived from the Shao’s ideological integration of Confucianism and Taoism, he had pursued a peace life, specifically in the realm of life transcendence,"Ming Jiao Zhi Le"shows his high morals and "Guan Wu Zhi Le"reveals the pursuit of harmony, the fusion of Confucian and Taoist maked the unconventional and harmonious aesthetic realm.The third chapter discusses Shao’s nature aesthetic. His appreciation and understanding of nature is poetic and rational. He paid attention to writing the original authentic nature things and comprehend life from the nature.The fourth chapter analyzes Shao Yong’s poetry aesthetics,matter-of-fact is the main feature of the poetic aesthetics, Natural creation, not to stick to one pattern,his verses and emotion are plain, rational.The part of conclusion briefly summarizes Shao Yong’s aesthetic idea or aesthetic tendency, and analyzes its practical significance. |
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