Research On Tragedy Aesthetic

Overview, ancient and modern, Chinese and foreign from those stirring, most of the popular classic handed down from ancient times was not a happy story, but a tragedy. Tragedy has long been regarded as the most sublime and profound art. On the surface, the tragedy is full of pain, unfortunately, completely violated the human pursuit of happiness in the nature, people should avoid. However, the fact is that people loves, obsession with tragedy. So what is the tragedy the unique charm?Discussed before we need to clear, sad, unfortunate events in everyday life is the origin of the tragedy, but due to the reasons such as they do not all call it a tragedy. We study the tragedy is aesthetic category of "tragedy", is a tragedy of aesthetic feelings: a pathetic, depressed, the tragic atmosphere of the excitation deeply touched and feelings. We will revolve around why people love tragedy launches the research to this problem. The first part is analyze the content of the tragedy. First, we compare the tragedy type is introduced. Based on tragedy conflict sources can be divided into two types of external conflict tragedy and internal conflicts, including external conflict and tragedy can be divided into new things according to the different status of the characters of tragedy, the tragedy of the little people, and the tragedy of the old things, the old system. Later, we started off as a whole, through a tragedy and tragedy ending two big aspects analyzes the connotation of tragedy. Meanwhile, summarizes the predecessors’ point of view, and also discusses the paradox and motivation to the result of China’s happy ending. In this happy ending when it is concluded that, the Chinese have a tragedy this boils down to is the translation problems. Chinese tragedy works lack some characteristics of western tragedy, such as opposition and lofty. Now, we translate the tragedy is a tragedy, and attached to the tragedy, such as noble, fear seized, narrowing the meaning of Chinese word "sad". So, in this western standards to measure China’s tragedy, of course, I’ll come to the conclusion that China is not a tragedy. In fact, the Chinese and western tragedy belong to "tragedy" in the broadest sense of the term, is each has its own characteristics. From the perspective of aesthetic activities of continuity, I protested against the happy ending. Because happy ending cancelled the audience appreciate the aftertaste, not conducive to the continuation of aesthetic activities. The second part we discuss tragedy charm, from the aspects of appreciation subject that tragedy pleasant sensation. Have a view is that we get pleasure in tragedy shows is a sign of schadenfreude. The pleasure is due to our sense of security or superiority, but also the embodiment of the human nature in the wild, malicious. And sympathy said think people get pleasure when watching the pain, because it can meet the people’s sympathy. Aristotle think tragedy aroused pity and fear and purify them."Purification" be understood as "anger" or "purification". Hegel’s proposition "reconciliation", think we see the tragic pleasure comes from the victory of the "eternal justice"."Vitality" points out that the source of the pleasure of tragedy to meet more impulsive or learn more about the life experience of curiosity. All in all, the pleasure of tragedy is a kind of complex emotion, combines the sense of ease, curiosity, and aspects of art force, is a pity, fear, lofty, admiration, reasonable combination of joy, wonder and other ingredients. The third part we’ve come to the conclusion that the tragedy consciousness and spirit of two concepts. Tragic consciousness is aware of their own individual human transient, finiteness and smallness, to the infinite world of individual loneliness, disillusionment, the value of the helplessness of life. Great tragedy spirit is even the life is full of thorns pain, we should also be colorful performing live, don’t lost the magnificence of the tragedy and joy. Questions about the decline of the tragedy was talking about. Nietzsche wine god spirit and the demise of the cause of the decline and fall as a tragedy. Under the background of nowadays to entertain, comedy due to let people get great satisfaction and pleasure and much-loved, tragedy no place better. But we appreciate often after laughing, what also did not leave or leave a feather. Therefore, it is necessary to call tragedy consciousness and spirit, and enable us to more rational actively thinking about major issues in life, to construct a new value system.