Study On The Woodcut Art Of Huang Yongyu

Huang Yongyu is China twentieth Century important artists, but also print art successfulpromoter and practitioner. He joined in1938by Zheng Yefu, Jin Fengsun led the southeasternwoodcut Association woodcut movement, began to woodcut creation. After the founding ofnew Chinese transferred to China Central Academy of Fine Arts in1953, after a long timeengaged in the teaching and practice of woodcut prints. In this paper, his woodcut art as themain line, from three different perspectives, research contents.Analysis of the first chapter for Huang Yongyu’s Woodcut the source schema. From thenumerous art woodcut involved, to tease out the form factors have a direct effect on thewoodcut style:1from the rising in20’s of last century in Chinese comic art,2Chinatraditional stone, brick carving and paper cutting and other folk art,3new woodcut,4speed,5Soviet prints and write wood engraving,6traditional woodblock printing. Discussion of theseartistic form produced on the wood of the role of schema.The second chapter is the analysis of Huang Yongyu’s Woodcut art. Divided into threesections:1according to the different themes and content using different methods. For manyforms of cognition based on agile, have used various techniques of expression may.2thevarious art forms as elements to construct a picture. In order to obtain the picture formdemands subjective, possible to construct the picture, various art forms as elements into thepicture.3pairs of woodblock printing development. Huang Yongyu is after the founding ofthe first generation to the version of the artist identity using traditional woodblock printingtechniques to one of the painters "woodcut creation". His contribution to the woodblockprinting techniques, has an important historical status.The third chapter is the analysis of Huang Yongyu’s Woodcut Art of practicalsignificance. Divided into two parts:1the practice of "popularization of literature and art".Huang Yongyu actively use wood engraving illustrations of books. Direct participation in thecultural life of the general public, let wood as a way to respond to the "popular literature"slogan.2the wood with the times. In order to make the woodcut art has the vitality of the era, the two elements he will gradually rise in popular culture in the absorption into the woodcutcreation, comic factors and the visual factors.The conclusion part, through the study of Huang Yongyu’s Woodcut Art obtained form:To explore ways in personalized; precise, romantic, beautiful and the freedom of expression;"little things" of the "big production"; school "rigid" and Huang Yongyu’s "live". These fouraspects of cognition. On this print "living" development, provides the reference value.