Study On The Intertextuality Of Huang Yongyu's Literature And Painting

Huang Yongyu is a famous contemporary Chinese painter.He has left countless outstanding paintings in a lifetime.Huang Yongyu is not only famous in the field of painting,but also dominates the field of literary creation.The unique artistic perception makes the painting and literary creation blend together,also,it presents the characteristics of intertextuality.This paper mainly discusses the deep connection between Huang Yongyu's literature and painting when deeply exploring the cultural implication of the deep integration.The introduction part combs the research status of Huang Yongyu in detail and explains the research significance,methods and ideas of this thesis.The first chapter focuses on the analysis of the expressions and aesthetic implication of Huang Yongyu's literary and artistic literary works.The kinds of literature and paintingthe illustrations forms of the fusion of the paintings and poems in Huang Yongyu's paintings,the text and pictures of Huang Yongyu's literary works Yongyu Six,Huang Yongyu's novel The swaying man in the Wuchou River,specifically analyze the deep connection and aesthetic implication between Huang Yongyu's pictures and texts.The second chapter mainly discusses the intercommunication between Huang Yongyu's painting techniques.Huang Yongyu adopts a freehand brushwork on the character characterization level,and adopts a strong color view about the color collocation,and its works present a full space feature.The third chapter has an insight into the cultural connotation of Huang Yongyu's works from three aspects: Wu Chu culture,Taoist culture and Buddhism culture.The strong life consciousness and romantic feelings in Wu Chu culture,the thought of Heaven and Man in One in Taoist culture and the thinking about the status quo of national existence,the color and space view,karma of retribution and missing compassion spirit in Buddhism culture,these are all manifested in Huang's works.The conclusion part reviews the full text of the argument and deeply elaborates the contemporary significance of Huang Yongyu's artistic creation of intertextuality.