Research On The Local Ink Figure Painting In Shanxi Province Since The Reform And Opening Up

The Shan Xi local ink figure painting creation, which received its foundation inShi Lu and Liu wenxi,had changed greatly in style and creation concept after thereform and opening up. As the prosperity of "native literature","native art" and theimpact of the western modern art concept, Shan Xi local ink figure painters thatfamous after the "cultural revolution", had changed their representational realism ofrealistic painting style,and began to explore the performance of "local" techniquemore deeply and mining the meaning of "local". They are indigenous "nativepeople",and striving artists. They had explored a new style of “local ink figurepainting” that on based on the sincere feelings of the country and the local peopleand the guidance of “Chang An school”,which extensively absorbed the essence ofmodern and contemporary art and have the characteristics of expressionism with"duality" tendency. At the same time, because of their "local conditions", theirartistic pursuit and sincere feelings of the country have their own characteristics,anddistinctly personality. Their creation had widen the local expression of ink figurepainting, dignified the connotation of "vernacular",.It glow the youth of the artcircles in Shan Xi province which keep silence for a long time in China.Research and analysis of the representative artists and works have veryimportant reference and enlightenment function,aiming at the gradual decline of thelocal ink figure painting.