Transcriptions "March" Structure Of The Music And Performance Practice

Transcriptions, from ancient to be too numerous to enumerate, Bach, Beethoven,Mozart, Vivaldi et al have been keen to adapt themselves or others works, piano,Lester is an excellent adaptation of everyone. From eighteen to nineteenth Century inorder to meet the surging music trend, there is a large number of transcriptionspopularity, this phenomenon has been extended to twentieth Century. This piece ofthe arrangement by Soviet composer Prokofiev and the adaptation of his own worksand. In early twentieth Century, Prokofiev in the period, the three orange opera "love",to be completed in1919for orchestra. The orchestral caused a strong reaction fromthe audience are not available, appreciation, one of the most popular is the "March".After that, Prokofiev also adapted to their piano version, violinist Heifetz adapted forthe violin version, spread so far, the distinctive style of the works became one ofmany players preferred music concert.I study in how to play the "March" found that this process works, for musicstructure is the key to grasp the performance, should be put in an important position,only after in-depth structure analysis, can finally understand this work to "tell" what,tell us what kind of expression information, what is the character, describes whatscene or mood, can these information accurate, real voice annotation to the audience,and this is our pianist duty.In this paper, the transcriptions for the piano "March" as the object of study,conducts the research from following several aspects: Prokofiev’s art career andadapted music background, influence of transcriptions "structure" for performingpractice. In the works of structure influence on the practice of playing this part indetail elaborated the influence works musical structure, harmony and texture, speedand rhythm and the pedal to play. I hope this paper can increase our understanding ofthis works, can accurately grasp the playing skills, to be more accurate and detailedexpress the thought content of the works.