Salvation In Marriage

In this paper, it take the image of women in the affair theme movie as the research object,and take the love movies as research background, from feminism, women value in terms ofthinking about extramarital love films gives women a variety of verbal, psychological andbehavioral manifestations. The female consciousness in the article mainly relates to women’sself consciousness, consciousness of redemption, self-examination consciousness andawareness of gender roles. Women are full of contradictions in the restraint of marriage, theirperception of themselves constantly changing, and their pursuit of love substantially mostlyreflects the completion of their self cognition after the transformation, this kind oftransformation or because female to self-redeeming, or because “he” regarding feminineredeeming. In the film, derailed tolerance and regression of female reflects the genderdifferences between male and female in marriage.The films and characters include:"the bridges of Madison County"(Francesca),"thepiano"(Ada),"the Horse Whisperer"(Anne),"Anna Karenina"(Anna),"last train"(Marion),"Jules and Jim"(Catherine),"In the Mood for Love"(Su Lizhen)etc. In these movies depictingderailed women, the meticulous and unique portrayal of women in the movie left deepimpression to the audience. They are full of contradictions in the restraint of marriage, Andthose women in marriage are strong sense in the role of wife and mother as well as the effortsof the social identity of the ego construction which itself is in a State of lost or missing.In the introduction, the creation of the film on the affair has carried on simple combing,according to the film creation theme, foreign affair film creation into ethical preaching and thedescription of love in two categories. At the same time, the classification of the female imagein the extramarital affairs movie is included in “women in marriage” and “women outsidemarriage”, and “women in marriage” also includes derailed wife and no derailed victim(including mental and physical derailed). Ultimately, the study object of this thesis isidentified as cheating wife image in Western extramarital love movies. Afterwards, this partalso analyzes to the adulterous love affair movie commentary present situation and thedevelopment situation from the angles of social echo and the audience accepted and so on. In the first chapter, we focus on adultery infidelity classified images of women in thefilm from the perspective of salvation, including women in self-redemption and women inother redemption, and then, summarize and analyze female commonality of redemptionprocess. Female under the other salvation is unclear because of the cognitive role of womenshelter. A woman in marriage is often strong sense in the role of wife and mother as well asthe efforts of the social identity of the ego construction which itself is in a State of lost ormissing.Film directors reflect on figures from the aspects of cultural, psychological, humannature. Thus, in chapter2, from the female perspective, and the course of humanity in termsof addressing women who love the process for in-depth reading and analysis of Female Love.In the third chapter, the paper analyzes the director how to shape different types ofextramarital affairs female image from the perspective of image expression, and analyzes thesecondary role of narrative perspective, space, camera, clothing, color, light and so on. Finally,the last part of the article is to Point out the shortcomings and summarizes the research results.