From Ancient Dai Ronghua Powder Color Ladies See However, Contemporary Ceramic Art Changes

Ceramic painting is an important component of ceramic art and profoundhistorical origin, ceramic material is rich and colorful, including traditional Chinesethemes as an outstanding representative of the ceramic decoration, in the field of theceramic art occupies very important position. Ceramic traditional Chinese painting inthe changsha kiln in tang dynasty, and the origins of the traditional Chinese painting istraced back to earlier in the spring and autumn warring states period, China’straditional Chinese painting, from ancient to contemporary style is varied, everyperiod of the image of the ladies also have different aesthetic standards, and ceramictraditional Chinese painting is also follows the law of Chinese painting to completepeople’s aesthetic demands to it. As a result, however, also made of a ceramic style isvaried. Ceramics is the most representative achievements of traditional Chinesepainting in qing dynasty, was the result of the development of material and technologymature, such as the establishment of the jingdezhen imperial plant makes ceramicpainting in the period for the development of its peak, until present, ceramic lovers oftraditional Chinese painting is to grow, but the form has changed a lot. In moderntimes, due to the change and development of life added many new contents, to theartistic creation of contemporary traditional Chinese porcelain painting artist is goodat from life found new elements, new artistic conception, new theme and plot,however, this makes the contemporary ceramic the emergence of a new look.artisticfeatures of the fine product wear old works as the breakthrough point, however, bywearing old gentleman powder colors) and other traditional Chinese contemporaryporcelain painting artist works on a series of comparison, the research to the changeof the traditional Chinese painting reflects the contemporary ceramics, however, toanalyze the contemporary ceramic art value. This topic research is of greatsignificance, not only to fill the current ceramic part of the theory of traditionalChinese painting, but also has a certain practical significance.