A Comparative Study On The Female Film On Both Sides Of The Taiwan Straits Since The Beginning Of The New Century

In this paper, the cross-strait female film since the new century as the research object, select the same subject more representative of female film-control study, trying to cut from a gender perspective, for the same movie characters, story type, narrative logic, theme type analyze multiple levels, such as cultural aspirations, the interpretation of the different characteristics in different social and cultural context of women on both sides of the film presented.This article points introduction, body and conclusion of three parts.Research Status brief introduction part of the paper, and this article breakthrough research methods, concepts and cultural study of women involved in this article to make clear definition movies.The second chapter describes the way text reading both sides of the new century, women in the movie gender issues, gender issues will be three types of women the same film were analyzed and compared. From different generations of women living circumstances of gender, women Exploration spiritual world, lesbian three angles, examine both sides of the new century studies showed the characteristics of female movie.Body part is divided into three chapters:The first chapter, from the perspective of social and cultural context, combing the development track on both sides of feminism and women on both sides graded film history, the history of the development of cross-strait women in the field of literature and film in the field of women’s horizontal and vertical control, to show both sides of feminism Literature and Film diverse creations express the female writer and director for the female gender’s own reflection and care, female film-control study was conducted in later chapters provide a theoretical premise.The second chapter, the female sex from different generations living circumstances, Analysis female spiritual world, lesbian three dimensions involved in research, through the film’s female cross-strait text reading, reflecting the situation of women real emotions, life experiences and human desire, to convey both sides of the film embedded in the unique female consciousness, powerfully reflects the true plight of contemporary Chinese women face, but also highlights the strait female film art style similarities and specificity.The third chapter, entangled around gender issues and other topics, gender stitched into the class, space and culture, on both sides of the new century, female film-control study conducted to explore the multicultural appeal of women on both sides of the film, which also marks the female film from concerned individuals, groups, concerned about the grand history of the class to change.