A Study On The Inheritance And Protection Of Anqing Huangmei Opera

According to the time axis,this article intends to explore how to inherit and protect Huangmei Opera in a better way in the current urbanization process.The first chapter starts from the analysis of Huangmei Opera’s orgin, and explores its rise and fall since the Qing Emperor Qianlong Dynasty until twenty-first Century. In the Fifty-one years of Qianlong, serious flood occurred in the Hubei Huangmei County. The local folk tea picking song with a large number of victims spread to Anqing area, and evolved into the Huangmei opera gradually. After the founding of the PRC, the Huangmei Opera had three counts of boom in twentieth Century, and become the national largest dramas from Anqing local opera. In the twenty-first Century, Huangmei Opera Troupe decreased sharply. But after the Huangmei opera was listed as the first batch of national intangible cultural heritage list in2006, Anqing community reacquaints the importance of the inheritance and protection of Huangmei opera.The second chapter mainly analyzes the inheritance and protection of Huangmei Opera’s repertoire in Anqing city. As the opera, Huangmei Opera can be divided into the traditional opera, the new historical opera and the modern opera. In twentieth Century50,60times, with the background of opera reform and "All flowers bloom together", the government of Anqing organized artists to collecte and adaptate a lot of traditional Huangmei Opera repertoire. Then a lager number of classic Huangmei Opera repertoire was born, such as "Angel matches","female emperor","the Cowherd and the girl weaver", and had been taken as drama movies. The drama movie "Angel matches" initiated movie in drama. In twentieth Century80,90times, Huangmei Opera’s greatest achievement lays in "a dream of Red Mansions","Huizhou woman"and oher excellent new historical creations, as well as a large number of Huangmei opera productions of TV series, which created a precedent for drama television series. In twenty-first Century, the Huangmei Opera get into trouble. In this context, Anqing city and salvage a number of endangered traditional ope ras Huangmei opera.The third chapter focuses on the inheritor of Huangmei Opera in Anqing city, who are the phenomenal Huangmei Opera actors and actresses. The earliest documented Huangmei Opera actor is Cai Zhongxian, who living in the Qing Tao-kuang. The main Huangmei Opera actor and actress during the Republic of China are Hu Puya and Ding Yongquan, and so on. Yan Fengying and Wang Shaofang are the first generation of Huangmei Opera actor in the new China. At this time, it began to appear professional Huangmei opera writers, such as Lu Hongfei; musicians, such as Wang Wenzhi; Huangmei Opera directors, such as Qiao Zhiliang. In twentieth Century80, it had the birth of Huang Xinde, Ma Lan, Wu Qiong, Yang Jun, Wu Yaling, Yuan Mei, Li Wen, Han Zaifen, Zhao Yuanyuan, Xiong Chenlong, Li Ping, Zhao Yuanyuan, Ding Tong, Liu Guanghui and other famous Huangmei Opera actor. Among them, Huang Xinde, Han Zaifen, Zhao Yuanyuan had been identified as Huangmei Opera Intangible Cultural Heritage Representative inheritors.The fourth chapter judges the success and shortcomings of the inheritance and protection work about Huangmei Opera in Anqing. In the face of the dilemma of Huangmei Opera, we must combine the overall protection, the rescue protection and the Productive Protection. Make sure the Huangmei Opera can be inheritanted and protected in the development. Then take further measures.