The Gonccpt Of Aesthetics And Theory Of Ceramic Painting Creation

The earliest Chinese painting from the primitive painted pottery and far-reachinginfluence on painting,and in the painting since all has the indelible role to thedevelopment of ceramic painting and a positive impact. The connectivity of be inharmony are an organic whole.From magnetic state kiln white with black flower paintingskills to the yuan bile and white lines with water,and then to yat sen villa shallow fallColor jewel hidden in qi chang Dong’s literati spirit. All show the aesthetic taste ofceramic painting and painting homology of consanguinity.In the early year of thenineteenth century eastern andwestern culture blend and collision, and traditional ceramic painting already cannotsatisfy the needs of today’s society aesthetic,Besides,such a complex and chaos in thefield of painting art today, creators of the aesthetic idea and consciousness has becomethe most worth exploring and reflections at the center of the source. By collating maybegeneralized in the typical characteristics of the various periods and ceramic painting theera background of the development of its Characteristics and aesthetic idea. From theangle of aesthetics,sociology,creators and influence on aesthetic idea change at differentstages,to demonstrate the creators in China ceramics painting aesthetic Consciousnessand ideas in the wake of today’society the importance of humanistic feelings and moveforward. In time and space contrast Chinese painting(including traditional Chinesepainting and oil painting’s aesthetic consciousness and the development of modernceramics were studied.Modern ceramic painting creation and the necessity of thedevelopment of contemporary and forward.Actively explore the development of Chineseceramic art and inheritance.