Chahar Mongolian Of Lnner Mongolia Mao Zhi Art Research

Mao Zhi is Inner Mongolia chahar Mongolian ancient traditional arts and crafts, officially declared as one of the Inner Mongolia autonomous region level intangible cultural heritage projects in2011. Mao Zhi in Mongolian called "Sue, hatha wood", meaning is Feng Mao planting, so Mao Zhi for short. Mao Zhi is the use of animal fur in front hair (hair) back, in a traditional big weft yarn online grow all kinds of animals, the whole process of production will not use needle and thread. Work stereo, lifelike, reproduce the original state of the animal, embodies the art of Mongolian handicrafts process features and artistic value. Has a strong artistic tension, is known as "plane specimens".The author attempts through combining literature and oral history research method, for as a non-material cultural heritage protection project in Inner Mongolia, the history of chahar Mongolian Mao Zhi traceability, process flow and artistic form, etc, systematic analysis and research, and its aesthetic characteristics and cultural connotation was summarized and analyzed, and the Mao Zhi skills to interpret the evolution of the problem. The first part of this article, combing the chahar mongols in Inner Mongolia Mao Zhi of historical evolution; The second part of this article is on the current status of the existence and development of Inner Mongolia chahar Mongolian Mao Zhi fieldwork detailed records, and the system analysis and the production process of Mao Zhi technical reduction; The third part of this paper is on the practical function and aesthetic characteristics of Mao Zhi research, through the law of development and the contemporary development of Mao Zhi way to explore, at the same time, will Mao Zhi related to Mongolian felt of carpets, tapestries, embroidered technology are compared, so as to analyze the evolution of Mao Zhi process and aesthetic characteristics; In the last part of the article, it is now become a hot topic of the intangible cultural heritage protection, the sustainable development of Mao Zhi problem, think about the underlying cultural loss and the limitations of traditional arts and crafts development and Inner Mongolia Mao Zhi transformation the possibility and feasibility.Through investigation and research of Mao Zhi as you can see, in the Mao Zhi production techniques is the valuable wealth that history left us, for its research due to the limitations of national and historical culture gap, although leave Mao Zhi works and text data of the very few, but the way we use KouChuanXinShou through the memory of the previous, could still Mao Zhi production techniques, this should be a lucky Mao Zhi production techniques, national process of sadness. Development history of this ancient process of research has great significance, is the historical responsibility of predecessors and descendants.This paper reference art anthropology, folklore and the oral history research method of combining, making the actual field investigation. In addition, combining the analysis of the literature. Artistic features of chahar Mongolian Mao Zhi techniques and the development law of inheritance are summarized and concluded, and the longitudinal from a modern variant of Mao Zhi production techniques to explore Mao Zhi to survive in the current environment.