The Research On Ecological Aesthetic Of Wei-Jin Southern And Northern Dynasties

Since the middle of the20th century, with the increasingly serious ecological crises, mankind began to reflect on their own ways of thinking and behavior, review the relationship between man and nature, tried to find a compromise between man and nature. Ecological aesthetics in relation to traditional aesthetic terms, it is in response to the global ecological crisis, the ideological foundation of ecological ethics, with ecological knowledge to lead and inspire new type of aesthetic emotion, to overcome the human aesthetic preferences. With the development of eco-aesthetics, rich ecological aesthetic wisdom in ancient aesthetics of China highlights the unparalleled value.Wei-Jin southern and Northern dynasties is important period about the awakening of man and the awakening of literature. Zong Baihua’s Strolling in aesthetics said,"The people of Jin dynasty found nature outward, inward discovered his affectionate." Ecological aesthetic conceptions of formation and the eco-aesthetic activities have a specific background. Cold, rich in wildlife resources, particularly rich in water resources, comprise the overall profile of the natural environment of the Wei-Jin, and conducive to the protection of biodiversity and ecological balance, ecological aesthetics in Wei-Jin and the southern and Northern dynasties provides the natural conditions. Metaphysics and Buddhism in ideology and culture active fellow, growing development of individual consciousness, and spiritual liberation. Scholars of this period began to close to nature, tranquility landscape, but in a different context has a different attitude to natural, or different aesthetic situations have different relationship between man and nature:or aesthetic of landscape as an independent object, or caring about the ecology of a group show and so on.Traditional ecological knowledge of accumulated for ecological aesthetic of carried out provides has premise and background, as ecological knowledge of accumulated, ecological consciousness of improve, the appreciation of people also has preference. Most important, this period "nature" as aesthetic principles of character, poetry and prose criticism. The aesthetic principles established in Chinese classical aesthetics is important: a "Bide" inheritance of the tradition, for the ecological aesthetics thoughts in ancient China mining provides powerful evidence. By ancient Chinese ecological aesthetics and ecological wisdom behind, to dig ecological aesthetics in the Wei-Jin and southern and Northern Dynasties period, on the one hand to present increasingly serious ecological crisis provides theoretical resources and practical experience, on the other, gives us a moment of aesthetic activity with deep inspiration, helping to improve our current level of aesthetic, overcome and surpass anthropocentrism of value judgement standards and "human appreciate preferences", reflection and critique of aesthetic nature of anthropocentrism and habits. To better protect the ecological environment, the preservation of biological diversity and ecological balance, creating a healthy, poetic dwelling environment.