| "DNA" characteristics of national culture and art research helps understand the nature of the nation’s arts, heritage and contribute to a better understanding of the national art treasures. Under the influence of multi-world process, and how to be more perfect preservation of national art and consolidate position in the world of arts and culture in the forest of humanity, depends primarily on the sectors of the national art and other artistic boundaries. Seeking the core qualities of art, will return to the beginning of the period of human art. In ancient myth recorded in the literature, Wicca is one of the most primitive forms of human art. Western scholars have even seen as the origin of art of witchcraft. This article does not intend to ascertain whether or not the art originated in myth or magic, but intends to adopt on the mythology, witchcraft analysis, to explore "DNA" of information hidden in one of the Chinese art. Some excited to find a steady stream of occurrence of the national art heritage inherent qualities. Therefore, a ancient Masterpieces " Shan Hai Jing" has become the main object of my study.Based on the above considerations, my thesis is divided into six chapters. The first chapter and Chapter VI, respectively introduction and conclusion. In the first chapter, I will relate to the concept paper points first made an explanation, for example, the arts "DNA", the relationship between art and psychology, and so on. The second chapter, first on " Shan Hai Jing" to do background research describes and analyzes the relationship between myth, magic and art.Anthropologist Fraser’s " Golden Bough " is a very important research works of folk ritual. He is a small story from ancient Greek mythology to start reading the history of civilization inside Europe. And, through this story spread around the trace hit new lows in Europe, handed down by a variety of other ancient traces associated with some traces of ritual ceremonies, etc., Fraser explained to us in such a the possibility that through myth, we may learn witchcraft interpretation of historical and cultural connotations it contains.Will focus on the analysis of the myth of " Shan Hai Jing" contained in witchcraft image, try to analyze the image type, totem meaning, artistic value and aesthetic psychology. On " Shan Hai Jing" which describes God, beast, fit man of God, man and beast fit to classify induction, combined with later archaeological elaborate. To analyze the ancient Chinese art of thinking during the creation and aesthetic psychology, roughly summed up the core of the prototype myth, witchcraft.The fourth chapter summarizes from ancient times to the modern myth of dynasties, the evolution of the development of witchcraft. Myths, witchcraft "DNA" in the later variations and influence has been ongoing. And transformed into various categories of art go, inspired a steady stream of new inspiration.Myths, witchcraft experienced thousands of years of history and the people after word of mouth, and gradually enrich its content, but also reflects the different social and cultural characteristics.The fifth chapter will Western myth, witchcraft in the occurrence and development, impact do comparison, showing more prominent qualities embedded in Chinese mythology, witchcraft. Through the continuity of Chinese culture and art heritage and mythology, analysis exploring the art of witchcraft in the "DNA", summed up the nation ’s artistic qualities belong.World diversification process is constantly moving forward, China is facing the essence of globalization in the information age, and how to save it is rooted in the cultural connotation of the Chinese nation. Various civilizations have their own way of life in itself is reasonable. Every civilization, every lifestyle has its own rationality, this rationality is not a substitute for each other. Because we know that every nation’s history and culture, their religion, their traditions, their customs, their art contains a wealth of collective memory of this nation. |
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