Research On Audiovisual Works Copyright Ownership

Audiovisual work, thanks to the progress of modern science and technology andliterature and art of the perfect combination of rapid development. The ownership ofcopyright system is one of the important system of the copyright system. In recentyears, the audiovisual work, copyright ownership of more and more countries andinternational organizations concerned and the legislation to be protected. Audiovisualworks from the pre-conceived to the final launch is a very complex process, to createdifferent levels of complexity of the relationship between the many participants in theprocess of filming in the audio-visual works, coupled with the rapid development ofemerging audiovisual works production technology to further the work of that type ofownership of rights principles and interests distribution mechanism for the formationof shocks. It must be profound analysis of the ownership of copyright in audiovisualworks. Countries according to their own legal tradition to work out a different systemof attribution of audiovisual works, the World Intellectual Property Organization wasof the legal system in the field of unified efforts.In addition to the outside of the Introduction is divided into chapters, and in theend made a conclusion on the contents of this article and perspectives.The necessity of opening of the Introduction to the audiovisual work, copyrightownership system, the introduction of the famous case of Peisi Zhu Shimao suedCCTV, China’s copyright legislation, the existence of controversy. And full text of themain research methods are briefly introduced.The first value of the two legal copyright system objectives and the value ofaudiovisual works copyright vested in the system target is described. Value targets inthe civil law of copyright law is the personal values, common law, economic values,but with the development of value targets of the two legal copyright systemintegration trend, attach importance to the enjoyment of the copyright holder. propertyrights protection, were involved that the copyright industries are well developed.The second chapter is the overall ownership of copyright of the audio-visualworks, the main content of the summary of rights law countries and countries incopyright law provisions on the overall ownership of copyright for audiovisual worksas well as the author. Section I of the authorship law countries such as Germany,France, the provisions of the copyright ownership of audiovisual works as a whole.The author limits the scope to audiovisual works standards of the German copyright law is: involved in the shooting of the entire audio-visual and pay in which theoriginality of labor, based on this standard can be learned, directors, cinematographers,sound engineer are likely to become the author of the audiovisual works. The Frenchintellectual property law to the law set out most of the audio-visual works of morepredictability. Section II describes the copyright law countries such as the nationalregulations of the United States, the United Kingdom the provisions of the copyrightownership of audiovisual works, copyright law has a significant feature is thecopyright of audiovisual works owned by the enjoyment of the producer. Section III, Isummarize and draw conclusions with the relevant provisions of sitting contrast to theTwo countries to the copyright of audiovisual works eventually attributed to theproducer to enjoy.Chapter III of the independent part of the ownership of copyright in audiovisualworks are discussed, because audiovisual works can be used independently of the partin the national legislation is a more complicated issue, so to define the independentuse of part of this chapter the first section of part of the independent parts, specifically,refers to the audiovisual work in the structure or the technical means to split the works,these works may be used alone and has the independent and the value of. Section IIon the law of countries described the provisions of that part of the ownership ofcopyright can be used independently, analyze the pros and cons of the nationalsystems, and one of our valuable and appropriate systems and practical experience forreference, section III, is the author of national the provisions of the summary andopinion.The fourth chapter of our current copyright law15and the relevant judicialinterpretation of the analysis and evaluation of first section is our copyright on thecopyright ownership of the general principles and specific provisions, Full text of theconclusion of this article and summarized, although the national copyright legislation,traditional and audiovisual works copyright Ownership System, but face the sametechnical problems as well as legislation the value of the fundamental objectives ofconsistent, so the surface does not look the same the provisions of the system willeventually reach the same social effects are conducive to industrial development andprosperity of the national audio-visual works.