Aesthetic Characteristics Of The Early 20th Century, China's Original Symphonic Music

In1840, as Chinas door was forced open, various of new ideas and newtheories are introduced and absorption, As Marx said,“every principle has its owncentury”. Marxs social being determines social consciousness of historicalmaterialism principle to prove to us that the Chinese symphony music of last centuryearlier period along with the social environment to set up. It not only has not driftedin the current, instead was directing the development of the21st century Chinamusic by its unique artistic charm.The early20th century Chinese original symphony music was the May4thMovement of1919later, Chinese modernity reforming with the artistic Westernmusic culture. The article under Marxism the macro guidance of materialism, takesthe Chinese modern esthetics thinking history as the angle of view, analysis ofspecific works obtains its aesthetic characteristics is:“Harmonious” the modernity oftraditional music aesthetics intention transforms、Nationalization processing ofWestern music form、Social existence decides the aesthetic experience of products.Atthat time, the Chinese social extreme, symphony is a product of artists aestheticexperience，composer in the expression of ideas and reflect the unique aestheticexperience, they have a different aesthetic tendencies. In the early20th century, agroup of returned students patriotic personage vigorously advocate the slogan ofenlightenment salvation, pursuit of individual character. The "real" conscious trend,the tone of the early Chinese artists aesthetic expression, the symphony is a new wayto induce and performance artist aesthetic experience. With the intensification ofethnic conflicts, the pursuit of individual artists, the performance modern aestheticsense of personal value by the anti-imperialist aggression waves instead, the realityand urgency of salvation, become a source of inspiration for each artist artisticcreation. Emphasis on the implications of the “emotional” enlightenment artisticcreation, to become the most widely used organizational unity spiritual power of thenational united front. The twists and turns of this circuitous aesthetic development ofthe state caused by the early20th century the development of aesthetic form, is a temporary setback on the social needs caused by ideological and cultural values.Therefore, from the perspective of the Chinese intellectual history of modernaesthetics original symphonic music of the early20th century, by the internal reasonsof aesthetic changes of dialysis such musical forms as well as prove Marxist historicalmaterialism, and then tap the aesthetics of the original symphonic musiccharacteristics and significance, this is the purport of this study.The article is divided into three chapters. The first chapter,“The formationof the original symphony and the combination of different creative groups”. Thesecond chapter,“Aestheticcharacteristics of the early20th century original symphonic music”. Based onMarxs theory of historical materialism, combined with the aesthetics of ancientChinese music, from classical harmonious aesthetic form to the the lofty modernaesthetic form of modern transformation; nationalization of the Western musicalforms processing; different social environment determines the three aspects of theaesthetic experience. The third chapter,“It was the aesthetic value of the originalChinese symphonic music and cultural significance.” From the perspective of thehistory of modern Chinese aesthetic thought, the intention is to reveal thesignificance of the new aesthetic spirit of the " May4th " formed during theDevelopment of Chinese Aesthetics. Symphony for the study, carried by the culturalsignificance of the development of music aesthetics proved to build with Chinesecharacteristics. So as to promote the development and construction of the newsocialist culture in todays China.