| Any art is the product of the artist emotion, dance is no exception, whether is a narrative, or purely lyricism, or characters vivid must with strong emotional expression. Since1949, the dance dance art on the one hand, from China’s thousands of years culture inheritance and development, on the other hand, continue to carry forward the "54" since the revolution of traditional dance, at the same time learn from and draw lessons from the beneficial experience of all over the world dance, created with Chinese characteristics socialist period, a variety of forms, a wide variety of styles of dance. The development of Chinese modern dance art roughly three stages:1. The’50s-eighty-s.2. In the eighty s eighty.3.2000so far this year. In the first stage, the Chinese ballet tradition and characteristics of inherited the revolutionary literature and art, to truly reflect the real life, the work’s ideological content and the function of education as the main characteristics of the ballet. And in revealing the theme and the hero image has also achieved some success. Ballet creation in the second period, China has entered a new field, a group from the Chinese modern literature’s classic ballet the stage, the ballet based on literature, has achieved some success in different ways.In the next period, the physical condition of the actors and technical is and more skilled, but it is often easy to overlook the expression of heart, since50s, China has emerged a group of dancers have influence at home and abroad. Such as shu qiao, Zhao Qing, Chen Ailian, Bai Shuxiang, Shi Zhongqin, Zhang Jun, harp, ha (Mongolian), left hala Sally HeMa according to Eva (tatar), good (Korean), cui DaoMeiLan (dai), along with vomiting (uygur), heidegger (Mongolian), omega (Tibetan), king art to wait (miao), China. Both of the older artists and the new generation of actors in modern times, every successful dancer notting have is not the feelings in the first place, the famous actor in dance skills and performance style have distinguishing feature each, and expression is in and here’s facial expression is not exist alone, it is closely related to inner to express the inner world through the senses. If only body dance works in operation, will be broadcast gymnastics program mode, more do not say to go up is dance is an art; If we show exaggerated false, so can only say that affected the cue, cannot achieve a high standard of dance works. In short, there is no emotion of dance works, it is not the real dance art, eventually into decline, because it still can not impress every audience’s inner world, no audience’s dance works, there is no doubt that it was a failure. So the emotion is the soul of dance, emotion is the internal sources of dance, emotion is really to see dance, can impress people the quintessence of the.Through graduate three years to dancing courses learning, makes me deeply realized the form important and precious. This article attempts from the dance to the forming of artistic ontology development, then from the perspective of the actor to analyze how to better embody the characters and fusion of "emotion""skill" to illustrate several aspects, such as me for a dance performance in the emotional expression of the understanding and experience. |
