A Study On The Dance Body Language Of Bashu Han Painting Sleeve Dance And Invigorating Dance

According to the music and dance images of Han Dynasty stone portraits and Han Dynasty brick portraits unearthed in Bashu area,as well as the relevant literature records,this paper collects and sorts out various dance categories of Han Dynasty portraits of Bashu,with the intention of studying the dance body language of sleeve dance and drum dance in Han Dynasty portraits of Bashu from the perspective of dance images,on the one hand,confirming the whole picture of Han Dynasty Bashu dance culture,On the other hand,from the political,economic,cultural and other aspects of the situation,we can get more help to reconstruct the Han Dynasty portrait dance to provide information.In the process of research,this paper uses literature and image data,body linguistics as the theoretical support,and image analysis as a means to find the fit with the study of dance.Based on the body interpretation of the Han Dynasty portrait dance,this paper studies the specific dance body form of the Han Dynasty portrait of Bashu from the perspective of body culture and aesthetics,and reappears the humanistic connotation and aesthetic attribute of the Han Dynasty portrait dance art of Bashu.In this paper,through the static pictures of the Han Dynasty,we can understand the colorful,vivid and colorful dance forms of the Han Dynasty from the context,language type,language shape and semantics of the dance body language,so as to show the general situation of the dance art of the Han Dynasty 2000 years ago,and let people feel the atmosphere of the dance art of the Han Dynasty The dance art of the Han Dynasty in Bashu should be promoted and carried forward,so that the dance with the charm of the Han Dynasty can be rebuilt in the world,and the development of Chinese dance industry should be accelerated.