From An Artistic Feature Film Semiotic Analysis Of Digital Stereoscopic Cinema

Cinema is an industrial art, technical factors in the development of the movie always plays an important role in the process of change, digital three-dimensional film is under the high-tech development of a new form of expression, with ’avatar’ as an example of3d movies in2009caused a sensation effect, after that more and more3d movie is on screen. Film and at the same time, in addition to the traditional space of performance means, people also are looking for new movie art from the dimension of the fourth way, the4d movie has been born, and under the image three-dimensional development, which is associated with the digital technology is widely used in three-dimensional film. In traditional film more than one hundred years of development, also along with the development of mature film theory. The emergence of the digital3d movies from the film to the artistic expression in the form of have great differences with the traditional film, but the moment for a digital stereo film appears very theoretical study still lags behind, the minority of research is also broad generalisations, no detailed theoretical analysis and interpretation.Based on digital stereo film as the research object, with wheat, used the theory as the main body of the film semiotics research methods, the compared with the traditional film form reflects the new artistic features a detailed analysis. First chapter from the movie the semiotics theory, to digital3d movies from the perspective of structuralism of symbols, language level to it has carried on the detailed anatomy, demonstrates the language features of digital three-dimensional film, recognized for its new language form; Compared with the natural language text, analysis of digital expression of three-dimensional film text; Within the first semiotic theory system, to found a new symbol of digital3d movies, and how it is reflected in this kind of art form; Discrete unit of digital stereo film were analyzed, and concluded it with the traditional film form on the "cells" artistic quality difference. The second chapter, from the Angle of the second film semiotics based on "frame theory","window" and the summary of the theory of "mirror", found that digital3d movies from the reproducibility, expressive, and spiritual identity Angle has a new art show, at the same time, the classical theory has some degree of subversion. Digital three-dimensional film is no longer a pure frame, window or in front of the mirror, the stereoscopic image rendering and multi-dimensional expression to make it formed a unique "movie". Thus, by the introduction of gestalt psychology "field" interpret the new characteristic of the digital3d movies. The third chapter, through the discussion of above, the artistic characteristics of digital3d movies are summarized and thinking, and the prospect for the future prediction.Using the film semiotics to analyze digital3d movies, is a process of interaction between them. On the one hand, under the classical film semiotics theory, digital three-dimensional film revealed a different new artistic features, on the other hand, the emergence of the digital3d movies has led to the semiotics theory of defects and blank, original theoretical system to a new supplement to it. While it is in such a process of interaction, we can scientifically draw digital stereo film unique artistry.