Art Gallery Of Knowledge Production And Power Evolution

Art Museum as a cultural space, with the most intuitive way to save the achievements ofhuman civilization, witnessed historical changes, passing the knowledge production function.Throughout the history of the development of the museum, its functions are constantly changing,with "things"as the center is now gradually evolved from the early to the "people" as the center.As society changes, the concept of the museum is also changing, especially in today’s era ofknowledge economy, the knowledge production function more and more attention. In themuseum space, art as to the production and reproduction of knowledge, knowledge iswidespread.Art Gallery of knowledge production process can be summarized as decoding-encoding-decoding process. In the production process, as the main object of human knowledge areconstantly changing, making this knowledge space filled with different power relations. Thisleads to the museum of knowledge production process is constantly shaping and constructingpower, while power operation is also presented in the museum of knowledge production process.As discussed in the sociology of knowledge as knowledge and society are closely linked,inseparable. Based on the perspective of the sociology of knowledge, with the philosophy ofMichel Foucault and Bourdieu’s theory of knowledge and power, the knowledge as a productiveactivity, in turn interpreted in different ways during the Art Gallery of knowledge production andits use microscopic perspective behind the power mode of operation, in order to provide anaccurate analysis of the path to the museum of knowledge production.This thesis describes the theoretical analysis and case study method of combining. Article isdivided into four chapters. The first chapter is done on a simple concept to define art museumand knowledge production, knowledge production features noted art museum, and therelationship between knowledge and power theory comb. The next two, three, four chapters aretimes for clues, combing through the museum traces the history of development, differentinterpretation in different periods of its evolution of knowledge production and its powers, to highlight the kind of knowledge and power between the "symbiotic" relationships.The second chapter is discussed on traditional forms of knowledge and power function of artmuseum. The way of knowledge production summarized traditional Gallery, analysis of privateproperties and knowledge of traditional art characteristic, the knowledge production art show ischaracteristic of power of mutual penetration between the right and expensive. Expression of thisperiod of art knowledge production in the yuan and the power of capital control, in order to showthe myth, religion, the king granted the right form view.The third chapter is the elaboration of the gallery of modern mode of knowledge productionand power control. On the stage of history museum to state all the changes from the traditionalprivate collections and public art gallery, the arrival of the era of the fact; analysis of the museumchanged the traditional mode of knowledge production, turning to the elite culture as thedominant feature; stressed that the country as symbolic power monopoly, with the aid of elite"conspiracy", relying on education and class segregation way to achieve power legalized,achieve domination argument.The fourth chapter is the art museum in the background of the era of knowledge economy,the knowledge and power relations show multiple forms of. The Museum of art form is the multifunded power practice results, the power relations more complex reality; the Museum ofcontemporary art, breaking the original mode of knowledge production, based on the multipleforms of art creation, to take the initiative to meet the public taste, take multiple way meet theaudience demand, enhance the production efficiency of the knowledge, in order to achieve thepublic art space ideal topic view.