Thought Tube Study Music

In this paper, start from the Spring and Autumn Period Qi prime minister-Guan Zhong, and their book "Guan Zi", combined with the Spring and Autumn period of political, economic, cultural and historical background, to explore a Guan musical thought, and Qithe impact of the country’s culture of Guan Zhong musical thought, hoping to make the reader a more comprehensive understanding of the transmission of the musical ideas of the Spring and Autumn Period. Confucius, Guan Zhong at very high evaluation by scholars that this is not only because he is an economist and philosopher, Guan Zhong was a know ritual thinking musicians. He knows how to govern the country with the ritual music, coordinating the various actors in the country, the different parts of. And use of the delicate relationship between the music and the economic, correctly handle the extravagant music "in the process of governing the country. Since ancient times, the "Guan Zi" is called Masterpieces, too glorious to his political and economic thought, which seems to cover up his musical contribution, or ignored his music ideas and aesthetics.The paper is divided into six chapters, three parts. The first two chapters of the first part, explore Guan Zhong musical thought of the times and cultural background, as well as the impact of culture Qi Guan Zhong’s musical thought, and end Guan Zhong’s Life and Work " Guan Zi ", combined with the evaluation of the historian Guan, On the image of the personality.Chapter of the article, based Guan writings speech, the study the Guan Zhong ritual country thinking from his inheritance and innovation of traditional ritual music ideas,come Guan ritual ideological core "and" the ideology. Guan Zhong since ancient times, is considered to be Legalism one of the pioneers, but he is not Legalism representative figure. This is because the Guan Zhong govern the country the emphasis on the "gift","law" is not biased towards. He believes that the ceremony and music are closely together, the ritual system can maintain the hierarchical order of society, orderly and harmonious society as a whole, in order to ensure social stability.The Guan Zhong understanding of music, to a large extent, take care of the factors of the country, the ritual thinking and Guan musical thought has a close relationship. Guan Zhong affirmed the "extravagant music-loving", admitted the objective existence of the desire, he believes that music can reach the people’s feelings, reflects the ideology of His People. A prominent feature of the Guan Zhong musical thought is reflected in every of his weight and practical features. Guan musical thought dialectical features. He first proposed to promote "luxury pleasure" point of view, but at the same time, he believes in the enjoyment of music must be subject to the restraint of the ceremony. Guan Zhong subjugation of the monarch, obsessed with colored eyes, ears not leave Pentatonic, enjoy the indulgence vocal sex, this has led to the subjects as unconscionable and dangerous state power. Guan Zhong music as one of the counsels of the attack the enemy, played the role of blinded enemy monarch. It has also become a notable feature of Guan Zhong musical thought.Chapter7for the third part of this article,"Guan zi" in China’s historians, literary plays an important role. In the " Guan Zi " directly or indirectly expressed their own musical ideas, such as knowledge of the ritual music, correctly handle the relationship between music and politics, and supplemented by a large number of music events and historical records, for us to understand the music of that era morphology and characteristics left a valuable literature. Legalists and enlightening, Guan has a traditional ritual ideological the unprecedented succession breakthrough, his music thinking of great significance to the philosophers heritage and development of musical thought. Guan Zhong musical thought is an important part of understanding the Spring and Autumn Period philosophers musical thought, an integral part of the study of ancient Chinese aesthetic thought of music.