Analysis Of Chinese Watercolor Painting In The "blank" Of The Road

Western watercolor painting as an art form for centuries incoming Chinese only, but becauseof a variety of materials and water features and aesthetic consciousness of the Chinese nation withresonance. In an interview with the family and watercolor paintings, while consciously totransform and expand the use of aesthetic consciousness and cognitive style of the Chinese nation.They will inject this national spirit among Western painting realistic technique, passing outunlimited ethereal Chinese poetic watercolor pattern, it can be said that the history of Chinesewatercolor Western fusion of history, tradition also its traditional Western integration, thisintegration is the many essence of Western culture here has been showing a fascinatingintersection collisions art space. Confucianism, Taoism and Buddhism complementary constitutesChinese people have a romantic chic aesthetic sense, emphasis on "virtual, spirit, air, and light."Watercolor fun, elegant, clever visual effects, most people came to realize that deep Qingyuan,indifferent nature oriental charm, and therefore, the special ambience Chinese watercolor facejustice, the more of a meaning, a kind of poetic feelings of the Chinese people to adapt to theemotional needs of the spiritual life. In this paper,"blank" as a starting point, think of thetraditional Chinese painting in the "blank" in Chinese watercolor aesthetic significance.