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Fengdong Ancient Village Architecture And Decoration Research

Posted on:2016-07-06Degree:MasterType:Thesis
Country:ChinaCandidate:C ZhangFull Text:PDF
GTID:2272330461457248Subject:Architecture and environmental art and design
Abstract/Summary:PDF Full Text Request
In this paper, the Feng Gu Village in the big house of traditional architecture of the background, the aesthetic value of its architectural arts., Guangdong Province, is the central and western Guangdong, the ancient Baiyue area, the village covers an area of about 5,000 square meters of the big house is Gu brothers, father and son follow Suzhou Housing mode built in Tongzhi years, stone based, brick shingle structure. Wherein the four tile surface with a wall, corner booth set up post as defense facilities, both sides of the wok ear semicircular wall above the tile surface, full of houses encircled by a large wall, rear wall were removed. Dating back over 200 years of history, it is one of the few well preserved Guangdong Province large brick stone ancient buildings. Gu big house intact the existing building 22, which at the same time both the Soviet-style architecture architecture and Cantonese Lingnan architectural features of the house is 12. Gu house architecture decoration including different types of craft and decorative content, decorative brick, decorative carvings, stone decoration, painting, etc., reflect the specific political, economic and cultural backgrounds. According to the shape of the material characteristics and specific decorative elements have different decorative techniques of carving, cornice, door frames, Hua 栱, clever use of the roof are decorated in a variety of forms. Decorative contents reflect the political, economic and cultural background affecting the builders of spiritual pursuit, content building decorative patterns of use of the local flora and fauna as well as landscapes and other patterns to express the longing for a better life meaning. Feng Tung Village and other decorative arts include also a certain link between the traditional Chinese painting, paper-cutting.Feng Tung Village Art Deco building with a duality, namely structural and decorative. It reflects the aesthetic taste of the local people. Decorative building elements makes decorative placed structure. To modern building decorated with inspiration. Since the development of the times, instead of the traditional large-scale machine production and craft workshops. The pursuit of functional modern architecture, while more choices simple abstract, architectural be mass-produced. How to use the basic content to create the desired decorative decorative effect, the painted graphics, design showing a pleasing visual effect. The traditional architectural vocabulary of the same today as classical Chinese society, modern society needs a more suitable form of traditional decorative translated into the vernacular architectural tradition and modern urban fabric blend. Based on the traditional architectural art, and combined with the latest modern technology, so that the traditional architectural style glow strong vitality. First of all, rooted in local history, culture, innovation, a reasonable choice. Traditional architectural heritage thousands of years like a magnificent cultural treasures, its design, construction and wisdom, and harmony of the natural environment is well worth repeated study and excavation. In the design form, skills, language, methods continue to innovate to meet the ever-increasing aesthetic needs. Secondly, the use of modern materials, concrete, steel, glass, instead of traditional building materials. The development of modern materials science, so many lightweight, rugged, and easy processing of the material has been widely used. Reduce the cost and construction time, steel use to solve the problem of large-span, the expansion of the building space. Use of glass, making the indoor lighting is more colorful, to adapt to modern life to building requirements. Again, make extensive use of the composition in the form of cubism and geometric elements, Cubism focus is parsed and reassembled, the pursuit of the beauty of geometry, permutation and combination of different forms, the ability to interpret the beauty of decorative motif into a variety of forms. Cubism is not limited to one viewpoint to observe the traditional methods of things, advocates from different viewpoints to observe and understand the object itself, showing the continuity of time. The visual perception into rational, thinking of the concept of perception. This method is also applicable to the use of traditional modern decor, the traditional decorative use, as it is not mechanically copy, but the original decorative patterns to be parsed and reconstructed, leaving the main form of symbol, a modern perspective to re-understand, in a more concise form concise convey, to the use of today’s construction equipment.
Keywords/Search Tags:Ancient architectural, decoration, Lingnan culture
PDF Full Text Request
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