| Movies and landscapes are both arts which involve not only the space between objects but also the space through the time. This paper is trying to analyze film language from montage and narrative ways of expression, and to investigate the possibility that the language and technique of cinematographic art used in landscape design, and to discuss the common of the movie and landscape. The conclusion can guide to the future design practice.First, this paper have introduced the basic theory of cinematographic art, such as film developments, montage theory, another film camera language and narrative. Also it has investigated film montage and plot structure by rich movie instance. Then, it has summarized the research status of landscape narrative.Second, it has discussed and illustrated the connection of cinematographic and landscape from three ways-montage, another film camera language as freeze frame and movie narrative. As a conclusion, the author has thought that montage and movie narrative can be a guidance of landscape design as a new thinking model. In the end, the author simply has list garden aesthetics in movies and analyzes cultural exchange from garden scene in movies.Thirdly, this paper has list Kuan Zhai Alley, Vanke Fengming Mountain Park and Yanhuachi Park to expound the similarity with montage, linear narrative structure, multi-line narrative structure and landscape. In this chapter, take<11:14> as an example. And its narrative structure is compared with Yanhuachi Park’s space sequence relation. It fully proved that movie narrative is similar to landscape space sequence relation. And it arrived at a conclusion that the shortage of Yanhuachi Park’s space sequence relation. Then the author has investigated the way landscape narratives from subject determination, montage and specific method.At last, take the Anren Wenbo Park as the example, this paper would apply the montage and movie narrative theory to the landscape design and the future practice. |
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