Researching Characteristics Of Fengxiang Clay Sculpture Designs Aesthetic

One of the characteristic of Fengxiang Clay Sculpture is painted designs. This isa feature painted decoration different from others. In previous studies, few studies onthe pattern of Clay Sculpture which is blank in the study of folk art. Studying aestheticfeature of Fengxiang Clay Sculpture pattern is enrichment of the folk arts.By the previous studies, we could find the drawbacks of Clay Sculpture pattern.In the past studies, the type of Clay Sculpture pattern is not clear enough and thesource of it is also a lack of scientific definition. So it leads to a shallow researchingabout aesthetic connotation of Fengxiang Clay Sculpture. Such drawbacks as astarting point and combined with field trips, we could summarize the aestheticcharacteristic of Fengxiang Clay Sculpture pattern.Fengxiang Clay Sculpture pattern originated the human aesthetic sense of thebirth period in Shaanxi Province. It is the pattern which historical changes graduallygather and settle down. This pattern during the Ming Dynasty that due to thecombined effect of the Ming Dynasty aesthetic characteristics in culture and spirit ofthe times combined together to produce the independent significance and aestheticconnotations with Fengxiang Clay Sculpture. It embodies the working peoplepreferences auspicious and cheerful aesthetic cultural orientation in Shaanxi Province.By comparison of Fengxiang Clay Sculpture pattern with Chinese traditionalauspicious patterns, we could analyze both of them express the good will of workingpeople’living. Aesthetic differences lead to Clay Sculpture pattern in the subjectmatter less than the traditional Chinese pattern. Fengxiang Clay Sculpture pattern onthe selection of the aesthetic implication would be ignore the Chinese traditionalauspicious patterns on several parts of gentleman and integrity and career andBuddhist culture. Through the above analysis it could be reflect the understanding“auspicious”of the ancient agricultural working people in Shaanxi. Also it could beconfirm the pattern of Fengxiang Clay Sculpture is a kind of aesthetic exist.From the researching, Fengxiang Clay Sculpture pattern also has its limitations.Because of the lack of communication and as merely a reflection of the aestheticorientation of the peoples’the ancient agricultural, Fengxiang C;ay Sculpture is lackof new blood in innovation. In order to correct this abuse of Fengxiang Clay Sculpture pattern we need the theoretical research as a guide. If we hope Fengxiang ClaySculpture pattern more and more will, we only rely on the innovation of the artists andclay itself.