| With the development of animation industry, animation image is no longer a simple visual appearance shape, but also in the cartoon characters in the animation image characteristics and through the structure reflected the ability and consciousness. Only give character to the vivid image of the inherent characteristics, in order to make the character has the vitality, the masses love, also have to animate the image as the core of the development of derivative products of possibility.In the Chinese history of animation, although created many popular image, but the image is difficult to translate into open market astepping-stone to success. Sun Wukong is one of them. The image of Sun Wukong as a cultural force spread so far, has been the construction of national image in the image of one of the important representative.This article from the image of Sun Wukong’s cultural connotation, down to its surface structure (the structure reflect), basic structure (the mainstream of social consciousness), deep structure (monkey, divinity and humanity ’s opening and integration) analysis, summed up from the traditional aesthetic era to the public aesthetic era, Sun Wukong cartoon image in the three dimensions of the evolution, and the analysis of its evolution behind the" unity of heaven and man"," and"," writings are for conveying truth." and other cultural reasons. Then put it in a global context of elaborate, summed up Sun Wukong image can be swept the world innocence spirit of entertainment, hero worship complex, for goodness pursue big three trait.Through the analysis of the Japanese Sun Wukong image characteristics and behind the "sorrow"," Bushido", comic and industrial culture gene, reach Japan Sun Wukong cartoon image in the surface structure, basic structure, deep structure of these three dimensions of variation. The last of China, the Sun Wukong cartoon image of how to meet the international trend and the public aesthetic at the same time, to play their own national characteristics. |
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