Aesthetic Analysis And Singing Treatment Of Mozart’s "Concert Aria"

Known as one of the greatest composers in European music history, Mozart hadcreated various masterpieces of different music genres. This article mainly probes intohis works of concert aria. In the article, we will analyze the concept of Mozart’sconcert aria, carding the general situation of creating concert aria, creationclassification and its personalized music characteristics according to his lifebackground and historical background on the whole. Meanwhile, aesthetic analysiswill be carried out, which emphasizes on two pieces of soprano aria during Mozart’screation peak, i.e. opus K505“Ch’io mi scordi di te…Non temer, amat” and opusK409“no, che non sei capace”, studying the key points and difficulties in singing,concluding and summarizing the teaching significance of Mozart’s concert aria.According to the analysis and study in the four chapters, we will obtain moreunderstanding and supplement on Mozart’s concert aria, further more, the singer willconsequently grasp the artistic connotation of Mozart’s concert aria more precisely. Inpractical singing, it is requested to grasp the personalized characteristics andemotional conveyance of concert aria in an all-round way and deduct the songcomprehensively. Finally, it could be considered that the Mozart’s soprano concertaria plays a very significant role in improving soprano sound basis and singingtechnique.