The Keys On The "flower Drum"

Qu Wei Piano Concerto" hub" and Mr Cui Shiguang’s" flower drum" is a twosong composer, a large number of folk music elements of creative techniques, tocreate the two songs with a strong national style of Chinese piano music. In1946, Mr.Qu Wei created the" flower drum", reflected Jiefang District people’s happy life, forafter the Chinese style piano has set a good example. At the end of the70’s, CuiShiguang and Shandong culture, combined with their own understanding of life, thecreation of" Shandong custom suite"," flower drum" from the suite of sixth songs,works present a gong and drum Zhentian, singing and lively scene.The author through the study of Mr. Qu Wei and Mr. Cui Shiguang ’s artisticcareer and their piano music works, analysed two first" drum" folk music elementsand in harmony, melody, style, mode and other aspects of the creation, then in theoryexploration of Chinese piano music national character, charm and connotation ofculture. Make people have a better knowledge and understanding of Mr. Qu Wei andMr. Cui Shiguang and their works, analysis of the two song" flower drum" is how tocombine the theory of western music and traditional Chinese music together, and thenexplore Chinese piano art development, combined with the contemporary Chinesepiano music development trend, put forward their own understanding and thinking.The paper consists of five parts:The first chapter: introduces the composers Qu Wei and Cui Shiguang’s lifeexperiences and representative works, followed by the introduction of the two song"flower drum" creation era and the creation of different background.The second chapter: respectively on two song" hub" of dialect, folk songs,instrumental music, dance and other folk music elements.Chapter third: from the musical form, harmony, melody, rhythm and otheraspects of the two song" flower drum" in-depth analysis of music, and playingtechniques are discussed in detail.Chapter fourth: from the four aspects of the two piano works characteristicswere analyzed, the first, in the material practices on the consistency and differences;second, in the rhythm on the similarity and diversity; third, in the form structure of theunity and uniqueness; fourth, in the tradition of harmony and modernity.Chapter fifth: from the three aspects of Mr Qu Wei’s" hub" and Cui Shiguang’s" hub" practical significance and application value.