Thoughts On Tendency Of Contemporary Oil Painting Landscape Poetry In Inner Mongolia

As a birthplace of the northern nomadic people the Inner Mongolia plateau owns its special regional features which provides the native artists generation by generation a quiet and solemn poetic environment and an excellent spiritual habitat as well. With generation of exploration, the Inner Mongolia landscape Oil painting have steped a way of poetic art.Oil painting landscape poetic tendency has typical characteristics of Inner Mongolia is in the oil painting scenery creation consciously pursuit of elegant poetry; The contemporary oil landscape painting artist learn from the traditional art poetry as a goal, they combine the Chinese ink painting landscape poetry, and spring flowers represent fusion of western painting techniques, to create both the Oriental aesthetic culture and the Inner Mongolia regional characteristic landscape paintings.This article mainly from the poetic tendency of contemporary oil painting scenery in Inner Mongolia, firstly, through the investigation of the causes of its theory, thinks that the poetic tendency of contemporary oil painting scenery in Inner Mongolia is intimately linked with the regional characteristics of the plateau; On the other hand it comes from the Mongolian culture on its positive influence, they pay major attention to poetic art way of thinking. Secondly, by "making a dialogue with natural" the artists understand the poetic art. Which means a reflection of self-regulation on artists’own free will of the sketh and creative work, it includes several self-control principles, such as, artist’s own accomplishment, opperception to the nature, and experiences, and so on. In other words, it is the artist’s self heart training process, which is so-called "cultivate one’s morality"of ancient Chinese artist. Thirdly, the system analysis of oil painting scenery in Inner Mongolia in the performance and characteristics of the poetic tendency. Inner Mongolia artists do all they can to show the best paitings of this land and pour all their passion into the regional themes and it’s poetic landscape. Finally in their paintings, there is no sorrow, no greasy, but only ordinary, simple, and other grandeur of poetic. Due to all of this, the essay will be devided into four parts: Firstly, the contemporary oil painting scenery in Inner Mongolia poetic theoretical origin;Secondly, the artists by "making a dialogue with natural" understand the poetic art;Thirdly, oil painting scenery in Inner Mongolia in the performance and characteristics of poetic tendency;Fourthly, conclusion...