Inner Mongolia Scenery Oil Painting With Regional Culture

Famous oil painting’s history was born in Inner Mongolia grasslandpainting, while grassland painting works does not mean that artists aredepicted in Inner Mongolia grassland scenery customs, refers to the work theyare in the parent as the source of artistic creation, Inner Mongolia prairie,artists in their works, are included, of course, their understanding of grasslandregion culture. Regional culture, of course, also become Inner Mongoliagrassland painting painters of landscape creation of an important factor. Inrecent years in Inner Mongolia scenery oil painting more widens the behaviorfield of grassland painting, including ChaoGe will look to expand to otherparts of Inner Mongolia, gives a simple scenery deep thoughts,MiaoJingChang also Inner Mongolia regional culture of expression of imagelanguage and techniques have their own innovation.TuoMuSi paintings, especially to Inner Mongolia grassland scenery workfull of grassland in Inner Mongolia regional culture, not just the scenery itself,in his more images to convey the national temperament. TuoMuSi widelydraw lessons from traditional Chinese painting, prints, paintings, murals,bas-relief modelling technique, and successfully applied to the image ofhimself, even as seal cutting, tai chi, Chinese medicine, Beijing Opera, alsobecome edge disciplines such as ancient Chinese poems TuoMuSi paintingreference source. From picture language, space, color tone and artisticconception expression aspects show steppe of Inner Mongolia regional culturecharacteristics.ChaoGe in Inner Mongolia scenery oil painting is the subject of thepainting of a extended, he will be painting the kerulen area expanded to theInner Mongolia, hubei auspicious Noel lake, mountain, etc; Tonal also by theInner Mongolia grassland painting commonly used red color to yellow, earthtones such as; More rich features ChaoGe tries to return to static in his works, is out of the sounds and movement of the specific details, in the picturebehind the static is a history of silence. ChaoGe works is realistic, noexaggerated performance, not the desires of anger, is a kind of interpretation,a kind of Mongolian history, simple, solemn, serious reading.MiaoJingChang Inner Mongolia scenery paintings also show in front ofeveryone in their own style, he will be painting in Inner Mongolia regionextended to "Ge beam" in the west of the Inner Mongolia region, theadornment of Chinese paintings and impressionist color color tone forreference. His landscape paintings "perspective on the depiction of InnerMongolia fossils, it is not only a painter to the natural ecological humanitiesconcern, is the painter way to explore the Inner Mongolia regional culturaland historical depth.